A landmark account of the fall of the Weimar Republic and the rise of Hitler, based on award-winning research, and recently discovered archival material.

In the 1930s, Germany was at a turning point, with many looking to the Nazi phenomenon as part of widespread resentment towards cosmopolitan liberal democracy and capitalism. This was a global situation that pushed Germany to embrace authoritarianism, nationalism and economic self-sufficiency, kick-starting a revolution founded on new media technologies, and the formidable political and self-promotional skills of its leader.

Based on award-winning research and recently discovered archival material, The Death Of Democracy is a panoramic new survey of one of the most important periods in modern history, and a book with a resounding message for the world today.

NUREMBERG, 1945. The eyes of a world desperate for truth, hope and justice turn to a courtroom where the leaders of the defeated Nazi regime sit in the dock. In this revelatory history, Natalie Livingstone sheds new light on the trial of the century, through the stories of extraordinary women whose importance has long been ignored.

Anti-fascist journalist Erika Mann - daughter of Germany's most famous writer - came to Nuremberg seeking a reckoning with a Germany she had fled more than a decade before, while Hungarian countess Ingeborg Kálnoky found herself presiding over a guest house in which perpetrators and survivors of the Nazi's worst crimes lived side by side. Russian interpreter Tatiana Stupnikova would be forced to confront terrifying revelations about her country's recent history, and German writer Ursula von Kardorff, reporting on the trials for domestic audiences, found herself torn between the evidence of the courtroom and a selective memory of her work for the Third Reich. Although she was barred from speaking in court on account of her gender, American lawyer Harriet Zetterberg assembled some of the most important prosecution cases, while British painter Laura Knight produced the most famous image of the courtroom. Rebecca West, the celebrated writer, arrived feeling lost and depleted and hoped the proceedings at Nuremberg might somehow shock her back to life. And Auschwitz survivor and French Resistance fighter Marie-Claude Vaillant-Couturier's defiant, devastating testimony laid the foundations for the world's awareness of the Holocaust.

Seen through the eyes of these astonishing women, the story of Nuremberg is a monumental human drama full of hope and romance, terror and conflict. It is the story of a search for truth among misinformation, love among ruins and light in overwhelming darkness. Eighty years after the trials, The Nuremberg Women offers a gripping new account of one of the defining events of the twentieth century.

Although millions of Russians lived as serfs until the middle of the nineteenth century, little is known about their lives. Identifying and documenting the conditions of Russian serfs has proven difficult because the Russian state discouraged literacy among the serfs and censored public expressions of dissent. To date scholars have identified only twenty known Russian serf narratives. Four Russian Serf Narratives contains four of these accounts and is the first translated collection of autobiographies by serfs. Scholar and translator John MacKay brings to light for an English-language audience a diverse sampling of Russian serf narratives, ranging from an autobiographical poem to stories of adventure and escape. Autobiography (1785) recounts a highly educated serf s attempt to escape to Europe, where he hoped to study architecture. The long testimonial poem News About Russia (ca. 1849) laments the conditions under which the author and his fellow serfs lived. In The Story of My Life and Wanderings (1881) a serf tradesman tells of his attempt to simultaneously escape serfdom and captivity from Chechen mountaineers. The fragmentary Notes of a Serf Woman (1911) testifies to the harshness of peasant life with extraordinary acuity and descriptive power. These accounts offer readers a glimpse, from the point of view of the serfs themselves, into the realities of one of the largest systems of unfree labor in history. The volume also allows comparison with slave narratives produced in the United States and elsewhere, adding an important dimension to knowledge of the institution of slavery and the experience of enslavement in modern times."

For a brief time in a Europe threatened and then occupied by Nazi Germany, jazz was heard as ubiquitously as rock ' n' roll is today. In a personal search for the story of that time, Mike Zwerin spent two years traveling across Europe talking with individuals who performed and enjoyed jazz in Hitler's dark shadow, including the Ghetto Swingers, a Jewish jazz band that "toured" Auschwitz and Theresienstadt; the Luftwaffe pilot who listened to Glenn Miller while bombing London; Django Reinhardt, the brilliant guitarist who refused to flee Nazi-controlled France; and many others.

The essays in this Handbook, written by an international team of distinguished scholars, combine to explore the way in which fascism is understood by contemporary scholarship, as well as pointing to areas of continuing dispute and discussion.
From a focus on Italy as, chronologically at least, the 'first Fascist nation', the contributors cover a wide range of countries, from Nazi Germany and the comparison with Soviet Communism to fascism in Yugoslavia and its successor states. The book also examines the roots of fascism before 1914 and its survival, whether in practice or in memory, after 1945. The analysis looks at both fascist ideas and practice, and at the often uneasy relationship between the two.
The book is not designed to provide any final answers to the fascist problem and no quick definition emerges from its pages. Readers will rather find there historical debate. On appropriate occasions, the authors disagree with each other and have not been forced into any artificial "consensus," offering readers the chance to engage with the debates over a phenomenon that, more than any other single factor, led humankind into the catastrophe of the Second World War.

A revelatory account of the racist conspiracy theory that now pervades global politics – from the prize-winning author of the million-copy bestseller How To Be an Antiracist.

Throughout the world, authoritarian movements are radically reshaping our politics and our lives. At the heart of them all lies ‘great replacement theory’, which insists that peoples of colour, migrants and minorities are being deliberately empowered to displace white majorities.

In Chain of Ideas, Ibram X. Kendi shows how this conspiracy theory has mutated from the extremist fringe into a global ideology, embraced by leaders as varied as Marine Le Pen, Viktor Orbán, Narendra Modi, Jair Bolsonaro, Nigel Farage, Benjamin Netanyahu and Donald Trump. He traces its historic roots in slavery, segregation, colonialism and Nazism, and shows how these age-old prejudices have been dressed in new language for a digital age.

But this is not a book about extremists on the margins. From Anders Breivik’s massacre to the chants of the Charlottesville marchers, from Brexit slogans to the Christchurch shooting, Kendi shows how these ideas have crossed borders, inspired terror and are now re-shaping parties of government. Chain of Ideas is a penetrating history of how reactionary ideas have been repackaged as common sense, and how they shape the globe today.

Published during the heyday of fascism in Europe, It Can't Happen Here is a chilling cautionary tale by one of the greatest American writers of the twentieth century, which is still startlingly relevant almost a century later. Charting the rise to power of Berzelius 'Buzz' Windrip, who whips his supporters into a frenzy while promising drastic reform under a banner of patriotism and traditional values, It Can't Happen Here decries the tactics used by politicians to mobilise voters, and exposes the danger of authoritarianism arising from populist platforms, and the chaos such regimes can leave in their wake.

The first volume of a new narrative history of the rise and fall of the Nazi regime, by an expert on the Third Reich. 'One of the books of the year' Dan Snow 'A masterclass in the history of Nazi Germany' Get History 'What makes this volume really stand out is its stylish design and more than 80 coloured photographs' Military History On 30 January 1933, Adolf Hitler was appointed the German Chancellor of a coalition government by President Hindenburg. Within a few months he had installed a dictatorship, jailing and killing his leftwing opponents, terrorising the rest of the population and driving Jews out of public life. He embarked on a crash programme on militaristic Keynesianism, reviving the economy and achieving full employment through massive public works, vast armaments spending and the cancellations of foreign debts. After the grim years of the Great Depression, Germany seemed to have been reborn as a brutal and determined European power. Over the course of the years from 1933 to 1939, Hitler won over most of the population to his vision of a renewed Reich. In these years of domestic triumph, cunning manoeuvres, pitting neighbouring powers against each other and biding his time, we see Hitler preparing for the moment that would realise his ambition. But what drove Hitler's success was also to be the fatal flaw of his regime: a relentless belief in war as the motor of greatness, a dream of vast conquests in Eastern Europe and an astonishingly fanatical racism. In The Hitler Years, Frank McDonough charts the rise and fall of the Third Reich under Hitler's hand. The first volume, Triumph, ends after Germany's comprehensive military defeat of Poland in 1939.

What are you willing to do to survive? What are you willing to endure if it means you might live? 'Achingly moving, gives much-needed hope . . . Deserves the status both as a valuable historical source and as a stand-out memoir' Daily Express 'A story that needs to be heard' 5***** Reader Review Entering Terezin, a Nazi concentration camp, Franci was expected to die. She refused. In the summer of 1942, twenty-two-year-old Franci Rabinek - designated a Jew by the Nazi racial laws - arrived at Terezin, a concentration camp and ghetto forty miles north of her home in Prague. It would be the beginning of her three-year journey from Terezin to the Czech family camp in Auschwitz-Birkenau, to the slave labour camps in Hamburg, and finally to Bergen Belsen. Franci, a spirited and glamorous young woman, was known among her fellow inmates as the Prague dress designer. Having endured the transportation of her parents, she never forgot her mother's parting words: 'Your only duty to us is to stay alive'. During an Auschwitz selection, Franci would spontaneously lie to Nazi officer Dr Josef Mengele, and claim to be an electrician. A split-second decision that would go on to endanger - and save - her life. Unpublished for 50 years, Franci's War is an astonishing account of one woman's attempt to survive. Heartbreaking and candid, Franci finds the light in her darkest years and the horrors she faces instill in her, strength and resilience to survive and to live again. She gives a voice to the women prisoners in her tight-knit circle of friends. Her testimony sheds new light on the alliances, love affairs, and sexual barter that took place during the Holocaust, offering a compelling insight into the resilience and courage of ordinary people in an extraordinary situation. Above all, Franci's War asks us to explore what it takes to survive, and what it means to truly live. 'A candid account of shocking events. Franci is someone many women today will be able to identify with' 5***** Reader Review 'First-hand accounts of life in Nazi death camps never lose their terrible power but few are as extraordinary as Franci's War' Mail on Sunday 'Fascinating and traumatic. Well worth a read' 5***** Reader Review

George Bell was one of the most significant British church leaders of the mid-20th century and in many ways he came to define the involvement of British church people with the issues which arose from the Third Reich. The George Bell-Alphons Koechlin Correspondence, 1933-54 presents the extensive correspondence between Bell and a leading Swiss pastor and President of the Basel Church Council, Alphons Koechlin. The letters of Bell and Koechlin make an important contribution to our understanding of ways in which the unfolding history of the Hitler regime was interpreted in an international context from its earliest months in 1933 to its final destruction in 1945. In presenting the letters, this book captures a sustained meeting of European minds, thinking together in the midst of a crisis that was altering the conventional perimeters of politics and religion, and by degrees changing the life of the whole European continent - and drawing British politics into its vortex. This volume provides for the first time all the letters exchanged between Bell and Koechlin in their original English, with full scholarly apparatus and connected material. It contributes valuably to the historiography of the Third Reich and develops our understanding of Nazism not simply as an episode in German history, but as a fundamental crisis in international politics, religion and society.

Contributors to this special issue of Radical History Review study histories of fascism and antifascism after 1945 to show how fascist ideology continues to circulate and be opposed transnationally despite its supposed death at the end of World War II. The essays cover the use of fascism in the 1970s construction of the Latinx Left, the connection of antifascism and anti-imperialism in 1960s Italian Communist internationalism, post-dictatorship Argentina and the transhistorical alliance between Las Madres and travesti activism, cultures of antifascism in contemporary Japan, and global fascism as portrayed through the British radical right's attempted alliance with Qathafi's Libya. The issue also includes a discussion about teaching fascism through fiction in the age of Trump, a reflection on the practices of archiving and displaying antifascist objects to various publics, and reviews of recent works on antifascism, punk music, and the Rock Against Racism movement. Contributors. Benjamin Bland, Mark Bray, Rosa Hamilton, Jessica Namakkal, Giulia Ricco, Cole Rizki, Eric Roubinek, Antonino Scalia, Stuart Schrader, Vivian Shaw, Michael Staudenmaier

What is fascism? Is it an anomaly in the history of modern Europe? Or its culmination? In Anti-Colonialism and the Crises of Interwar Fascism, Michael Ortiz makes the case that fascism should be understood, in part, as an imperial phenomenon. He contends that the Age of Appeasement (1935-1939) was not a titanic clash between rival socio-political systems (fascism and democracy), but rather an imperial contest between satisfied and unsatisfied empires. Historians have long debated the extent to which Western imperialisms served as ideological and intellectual precursors to European fascisms. To date, this scholarship has largely employed an "inside-out" methodology that examines the imperial discourses that pushed fascist regimes outward, into Africa, Asia, and the Americas. While effective, such approaches tend to ignore the ways in which these places and their inhabitants understood European fascisms. Addressing this imbalance, Anti-Colonialism adopts an "outside-in" approach that analyses fascist expansion from the perspective of Indian anti-colonialists such as Jawaharlal Nehru, Subhas Bose, and Mohandas Gandhi. Seen from India, the crises of Interwar fascism-the Second Italo-Ethiopian War, Spanish Civil War, Second Sino-Japanese War, Munich Agreement, and the outbreak of the Second World War-were yet another eruption of imperial expansion analogous (although not identical) to the Scramble for Africa and the Treaty of Versailles. Whether fascist, democratic, or imperialist, Europe's great powers collectively negotiated the fate of smaller nations.

This title is part of UC Press's Voices Revived program, which commemorates University of California Press's mission to seek out and cultivate the brightest minds and give them voice, reach, and impact. Drawing on a backlist dating to 1893, Voices Revived makes high-quality, peer-reviewed scholarship accessible once again using print-on-demand technology. This title was originally published in 1958.

This interdisciplinary volume revisits Adorno's lesser-known work, Minima Moralia, and makes the case for its application to the most urgent concerns of the 21st century. Contributing authors situate Adorno at the heart of contemporary debates on the ecological crisis, the changing nature of work, the idea of utopia, and the rise of fascism. Exploring the role of critical pedagogy in shaping responses to fascistic regimes, alongside discussions of extractive economies and the need for leisure under increasingly precarious working conditions, this volume makes new connections between Minima Moralia and critical theory today. Another line of focus is the aphoristic style of Minima Moralia and its connection to Adorno's wider commitment to small and minor literary forms, which enable capitalist critique to be both subversive and poetic. This critique is further located in Adorno's discussion of a utopia that is reliant on complete rejection of the totalising system of capitalism. The distinctive feature of such a utopia for Adorno is dependent upon individual suffering and subsequent survival, an argument this book connects to the mutually constitutive relationship between ecological destruction and right-wing authoritarianism. These timely readings of Adorno's Minima Moralia teach us to adapt through our survival, and to pursue a utopia based on his central ideas. In the process, opening up theoretical spaces and collapsing the physical borders between us in the spirit of Adorno's lifelong project.

Between 1933 and 1938, Eric Voegelin published four books that brought him into increasingly open opposition to the Hitler regime in Germany. As a result, he was forced to leave Austria in 1938, narrowly escaping arrest by the Gestapo as he fled to Switzerland and later to the United States. Twenty years later, he was invited to return to Germany as director of the new Institute of Political Science at Ludwig-Maximilian University in Munich.

In 1964, Voegelin gave a series of memorable lectures on what he considered "the central German experiential problem" of his time: Adolf Hitler's rise to power, the reasons for it, and its consequences for post-Nazi Germany. For Voegelin, these issues demanded a scrutiny of the mentality of individual Germans and of the order of German society during and after the Nazi period. "Hitler and the Germans" offers Voegelin's most extensive and detailed critique of the Hitler era.

While most of the lectures deal with what Voegelin called Germany's "descent into the depths" of the moral and spiritual abyss of Nazism and its aftermath, they also point toward a restoration of order. His lecture "The Greatness of Max Weber" shows how Weber, while affected by the culture within which Hitler came to power, had already gone beyond it through his anguished recovery of the experience of transcendence.

"Hitler and the Germans" provides a profound alternative approach to the topic of the individual German's entanglement in the Hitler regime and its continuing implications. This comprehensive critique of the Nazi period has yet to be matched.

From rap to folk to punk, music has often sought to shape its listeners’ political views, uniting them as a global community and inspiring them to take action. Yet the rallying potential of music can also be harnessed for sinister ends. As this groundbreaking new book reveals, white-power music has served as a key recruiting tool for neo-Nazi and racist hate groups worldwide.  Reichsrock shines a light on the international white-power music industry, the fandoms it has spawned, and the virulently racist beliefs it perpetuates. Kirsten Dyck not only investigates how white-power bands and their fans have used the internet to spread their message globally, but also considers how distinctly local white-power scenes have emerged in Western Europe, Eastern Europe, Latin America, the United States, and many other sites. While exploring how white-power bands draw from a common well of nationalist, racist, and neo-Nazi ideologies, the book thus also illuminates how white-power musicians adapt their music to different locations, many of which have their own terms for defining whiteness and racial otherness.  Closely tracking the online presence of white-power musicians and their fans, Dyck analyzes the virtual forums and media they use to articulate their hateful rhetoric. This book also demonstrates how this fandom has sparked spectacular violence in the real world, from bombings to mass shootings. Reichsrock thus sounds an urgent message about a global menace.