A landmark account of the fall of the Weimar Republic and the rise of Hitler, based on award-winning research, and recently discovered archival material.

In the 1930s, Germany was at a turning point, with many looking to the Nazi phenomenon as part of widespread resentment towards cosmopolitan liberal democracy and capitalism. This was a global situation that pushed Germany to embrace authoritarianism, nationalism and economic self-sufficiency, kick-starting a revolution founded on new media technologies, and the formidable political and self-promotional skills of its leader.

Based on award-winning research and recently discovered archival material, The Death Of Democracy is a panoramic new survey of one of the most important periods in modern history, and a book with a resounding message for the world today.

The question of how ordinary people related to totalitarian regimes is still far from being answered. The tension between repression and consensus makes analysis difficult; where one ends and the other begins is never easy to determine. In the case of fascist Italy, recent scholarship has tended to tilt the balance in favour of popular consensus for the regime, identifying in the novel ideological and cultural aspects of Mussolini's rule a 'political religion' which bound the population to the fascist leader. The Fascist Party and Popular Opinion in Mussolini's Italy presents a different picture. While not underestimating the force of ideological factors, Paul Corner argues that 'real existing Fascism', as lived by a large part of the population, was in fact an increasingly negative experience and reflected few of those colourful and attractive features of fascist propaganda which have induced more favourable interpretations of the regime. Distinguishing clearly between the fascist project and its realisation, Corner examines the ways in which the fascist party asserted itself at the local level in the widely-differing areas of Italy, at its corruption and malfunctioning, and at the mounting wave of popular resentment against it during the course of the 1930s - resentment and hostility which, in effect, signalled the failure of the project. The Fascist Party and Popular Opinion in Mussolini's Italy, based largely on unpublished archival material, concludes by suggesting that the abuse of power by fascists mirrors much wider problems in Italy related to the relationship between the public and the private and to the modes of utilisation of power, both in the past and in the present.

Although millions of Russians lived as serfs until the middle of the nineteenth century, little is known about their lives. Identifying and documenting the conditions of Russian serfs has proven difficult because the Russian state discouraged literacy among the serfs and censored public expressions of dissent. To date scholars have identified only twenty known Russian serf narratives. Four Russian Serf Narratives contains four of these accounts and is the first translated collection of autobiographies by serfs. Scholar and translator John MacKay brings to light for an English-language audience a diverse sampling of Russian serf narratives, ranging from an autobiographical poem to stories of adventure and escape. Autobiography (1785) recounts a highly educated serf s attempt to escape to Europe, where he hoped to study architecture. The long testimonial poem News About Russia (ca. 1849) laments the conditions under which the author and his fellow serfs lived. In The Story of My Life and Wanderings (1881) a serf tradesman tells of his attempt to simultaneously escape serfdom and captivity from Chechen mountaineers. The fragmentary Notes of a Serf Woman (1911) testifies to the harshness of peasant life with extraordinary acuity and descriptive power. These accounts offer readers a glimpse, from the point of view of the serfs themselves, into the realities of one of the largest systems of unfree labor in history. The volume also allows comparison with slave narratives produced in the United States and elsewhere, adding an important dimension to knowledge of the institution of slavery and the experience of enslavement in modern times."

The essays in this Handbook, written by an international team of distinguished scholars, combine to explore the way in which fascism is understood by contemporary scholarship, as well as pointing to areas of continuing dispute and discussion.
From a focus on Italy as, chronologically at least, the 'first Fascist nation', the contributors cover a wide range of countries, from Nazi Germany and the comparison with Soviet Communism to fascism in Yugoslavia and its successor states. The book also examines the roots of fascism before 1914 and its survival, whether in practice or in memory, after 1945. The analysis looks at both fascist ideas and practice, and at the often uneasy relationship between the two.
The book is not designed to provide any final answers to the fascist problem and no quick definition emerges from its pages. Readers will rather find there historical debate. On appropriate occasions, the authors disagree with each other and have not been forced into any artificial "consensus," offering readers the chance to engage with the debates over a phenomenon that, more than any other single factor, led humankind into the catastrophe of the Second World War.

Published during the heyday of fascism in Europe, It Can't Happen Here is a chilling cautionary tale by one of the greatest American writers of the twentieth century, which is still startlingly relevant almost a century later. Charting the rise to power of Berzelius 'Buzz' Windrip, who whips his supporters into a frenzy while promising drastic reform under a banner of patriotism and traditional values, It Can't Happen Here decries the tactics used by politicians to mobilise voters, and exposes the danger of authoritarianism arising from populist platforms, and the chaos such regimes can leave in their wake.

The first volume of a new narrative history of the rise and fall of the Nazi regime, by an expert on the Third Reich. 'One of the books of the year' Dan Snow 'A masterclass in the history of Nazi Germany' Get History 'What makes this volume really stand out is its stylish design and more than 80 coloured photographs' Military History On 30 January 1933, Adolf Hitler was appointed the German Chancellor of a coalition government by President Hindenburg. Within a few months he had installed a dictatorship, jailing and killing his leftwing opponents, terrorising the rest of the population and driving Jews out of public life. He embarked on a crash programme on militaristic Keynesianism, reviving the economy and achieving full employment through massive public works, vast armaments spending and the cancellations of foreign debts. After the grim years of the Great Depression, Germany seemed to have been reborn as a brutal and determined European power. Over the course of the years from 1933 to 1939, Hitler won over most of the population to his vision of a renewed Reich. In these years of domestic triumph, cunning manoeuvres, pitting neighbouring powers against each other and biding his time, we see Hitler preparing for the moment that would realise his ambition. But what drove Hitler's success was also to be the fatal flaw of his regime: a relentless belief in war as the motor of greatness, a dream of vast conquests in Eastern Europe and an astonishingly fanatical racism. In The Hitler Years, Frank McDonough charts the rise and fall of the Third Reich under Hitler's hand. The first volume, Triumph, ends after Germany's comprehensive military defeat of Poland in 1939.

'Lucid and damning ... an absorbing - and infuriating - tale of complicity, coverup and denial' PATRICK RADDEN KEEFE, author of EMPIRE OF PAIN A groundbreaking investigation of how the Nazis helped German tycoons make billions from the horrors of the Third Reich and World War II - and how the world allowed them to get away with it. In 1946, Gunther Quandt - patriarch of Germany's most iconic industrial empire, a dynasty that today controls BMW - was arrested for suspected Nazi collaboration. Quandt claimed that he had been forced to join the party by his arch-rival, propaganda minister Joseph Goebbels, and the courts acquitted him. But Quandt lied. And his heirs, and those of other Nazi billionaires, have only grown wealthier in the generations since, while their reckoning with this dark past remains incomplete at best. Many of them continue to control swaths of the world economy, owning iconic brands whose products blanket the globe. The brutal legacy of the dynasties that dominated Daimler-Benz, cofounded Allianz and still control Porsche, Volkswagen and BMW has remained hidden in plain sight - until now. In this landmark work, investigative journalist David de Jong reveals the true story of how Germany's wealthiest business dynasties amassed untold money and power by abetting the atrocities of the Third Reich. Using a wealth of untapped sources, de Jong shows how these tycoons seized Jewish businesses, procured slave labourers and ramped up weapons production to equip Hitler's army as Europe burnt around them. Most shocking of all, de Jong exposes how the wider world's political expediency enabled these billionaires to get away with their crimes, covering up a bloodstain that defiles the German and global economy to this day.

From rap to folk to punk, music has often sought to shape its listeners’ political views, uniting them as a global community and inspiring them to take action. Yet the rallying potential of music can also be harnessed for sinister ends. As this groundbreaking new book reveals, white-power music has served as a key recruiting tool for neo-Nazi and racist hate groups worldwide.  Reichsrock shines a light on the international white-power music industry, the fandoms it has spawned, and the virulently racist beliefs it perpetuates. Kirsten Dyck not only investigates how white-power bands and their fans have used the internet to spread their message globally, but also considers how distinctly local white-power scenes have emerged in Western Europe, Eastern Europe, Latin America, the United States, and many other sites. While exploring how white-power bands draw from a common well of nationalist, racist, and neo-Nazi ideologies, the book thus also illuminates how white-power musicians adapt their music to different locations, many of which have their own terms for defining whiteness and racial otherness.  Closely tracking the online presence of white-power musicians and their fans, Dyck analyzes the virtual forums and media they use to articulate their hateful rhetoric. This book also demonstrates how this fandom has sparked spectacular violence in the real world, from bombings to mass shootings. Reichsrock thus sounds an urgent message about a global menace.  

Numerous studies concerning transitional justice exist. However, comparatively speaking, the effects actually achieved by measures for coming to terms with dictatorships have seldom been investigated. There is an even greater lack of transnational analyses. This volume contributes to closing this gap in research. To this end, it analyses processes of coming to terms with the past in seven countries with different experiences of violence and dictatorship. Experts have drawn up detailed studies on transitional justice in Albania, Argentina, Ethiopia, Chile, Rwanda, South Africa and Uruguay. Their analyses constitute the empirical material for a comparative study of the impact of measures introduced within the context of transitional justice. It becomes clear that there is no sure formula for dealing with dictatorships. Successes and deficits alike can be observed in relation to the individual instruments of transitional justice - from criminal prosecution to victim compensation. Nevertheless, the South American states perform much better than those on the African continent. This depends less on the instruments used than on political and social factors. Consequently, strategies of transitional justice should focus more closely on these contextual factors.