Culture and the arts played a central role in the ideology and propaganda of National Socialism from the early years of the movement until the last months of the Third Reich in 1945. Hitler and his followers believed that art and culture were expressions of race, and that "Aryans" alone were capable of creating true art and preserving true German culture. This volume's essays explore these and other aspects of the arts and cultural life under National Socialism, and are authored by some of the most respected authorities in the field: Alan Steinweis, Michael Kater, Eric Rentschler, Pamela Potter, Frank Trommler, and Jonathan Petropoulos. The result is a volume that offers students and interested readers a brief but focused introduction to this important aspect of the history of Nazi Germany.

Based on careful, intensive research in primary sources, many of these essays break new ground in our understanding of a crucial and tumultuous period. The contributors, drawn from both sides of the Atlantic, offer an in-depth analysis of how the collective memory of Nazism and the Holocaust influenced, and was influenced by, politics and culture in West Germany in the 1960s. The contributions address a wide variety of issues, including prosecution for war crimes, restitution, immigration policy, health policy, reform of the police, German relations with Israel and the United States, nuclear non-proliferation, and, of course, student politics and the New Left protest movement. Philipp Gassert teaches Modern History at the University of Heidelberg in Germany and is DAAD Visiting Associate Professor of History at the University of Pennsylvania in Philadelphia. Alan E. Steinweis is the Rosenberg Professor of Modern European History and Judaic Studies at the University of Nebraska-Lincoln.

Corrective to male-dominated historiography of anti-fascism Draws on new archival sources First account in English of this important women's anti-fascist group

Complicated Complicity is about the forms taken, motives and spectrum of actions of European collaboration with the Nazis. State authorities, local military organizations and individual players in different countries and areas including France, Scandinavia, Lithuania, Poland, Ukraine, Romania, Hungary, Slovakia, Greece, Italy, Portugal and the countries of the former Yugoslavia are discussed in the context of the history of World War II, the history of occupation and everyday life and as an essential influencing factor in the Holocaust. New forms of right-wing populism, nationalism and growing intolerance of Jewish fellow citizens and minorities have made such historically sensitive studies considerably more difficult in many countries today. In this time of increasing historical revisionism in Europe, such elucidating discourse is particularly relevant.

The chilling and little-known story of Adolf Hitler's eight-year march to the pinnacle of German politics. On the night of 30 January 1933, Adolf Hitler leaned out of a spotlit window of the Reich Chancellery in Berlin, bursting with joy. Even to Hitler himself, the moment seemed unbelievable. After an improbable, serpentine political journey that came close to faltering on many occasions, his march to power had finally succeeded. Until now, no single work has focused on the precise eight-year run of his climb to rule from 1925 to 1933. Peter Ross Range brings this period back to startling life, giving readers a necessary story of brushes with power and quests for revenge, non-stop electioneering and underhand campaign tactics. For Hitler, moments of gloating triumph were followed, shockingly, by abject humiliation. Masterfully woven into one unforgettable and urgent narrative, The Unfathomable Ascent, will make us remember what we should never forget.

What was known and understood about the nature of the Nazi dictatorship in Britain prior to war in 1939? How was Nazism viewed by those outside of Germany? The British Press and Nazi Germany considers these questions through the lens of the British press. Until now, studies that centre on British press attitudes to Nazi Germany have concentrated on issues of foreign policy. The focus of this book is quite different. In using material that has largely been neglected, Kylie Galbraith examines what the British press reported about life inside the Nazi dictatorship. In doing so, the book imparts important insights into what was known and understood about the Nazi revolution. And, because the overwhelming proportion of the British public’s only means of news was the press, this volume shows what people in Britain could have known about the Nazi dictatorship. It reveals what the British people were being told about the regime, specifically the destruction of Weimar democracy, the ruthless persecution of minorities, the suppression of the churches and the violent factional infighting within Nazism itself. This pathbreaking examination of the British press’ coverage of Nazism in the 1930s greatly enhances our knowledge of the fascist regime with which the British Government was attempting to reach agreement at the time.

The fastest-rising force in Italian politics is Giorgia Meloni's Fratelli d'Italia a party with a direct genealogy from Mussolini's regime. Surging to prominence in recent years, it has waged a fierce culture war against the Left, polarised political debate around World War II, and even secured the largest vote share in Italy's 2022 general election. Eighty years after the fall of Mussolini, his heirs and admirers are again on the brink of taking power. So how exactly has this situation come about? Mussolini's Grandchildren delves into Italy's self-styled 'post-fascist' movements - rooted in historical fascism yet claiming to have 'transcended' it. David Broder highlights the reinventions of far-right politics since the Second World War, and examines the interplay between a parliamentary face aimed at integrating fascists into the mainstream, and militant fringe groups which, despite their extremism, play an important role in nurturing the broader far right. Fratelli d'Italia has retained its hegemony over fascist subcultures whilst embracing a raft of more pragmatic policy positions, fusing harsh Islamophobia and anti-communism with support for the European Union and NATO. As countervailing anti-fascist forces in Italian society wane, the far-right party's mission to redeem historical fascism, legitimise its political heirs and shift the terrain of mainstream politics is proving alarmingly successful.

At the end of the Second World War, hundreds of thousands of German children were sent to the front lines in the largest mobilisation of underage combatants by any country before or since. Hans Dunker was just one of these children. Identified as gifted aged 9, he left his home in South America in 1937 in pursuit of a 'proper' education in Nazi Germany. Instead, he and his schoolfriends, lacking adequate training, ammunition and rations, were sent to the Eastern Front when the war was already lost in the spring of 1945. Using her father's diary and other documents, Helene Munson traces Hans' journey from a student at Feldafing School to a soldier fighting in Zawada, a village in present-day Czech Republic. What is revealed is an education system so inhumane that until recently, post-war Germany worked hard to keep it a secret. This is Hans' story, but also the story of a whole generation of German children who silently carried the shame of what they suffered into old age.

" . . . this volume makes a significant contribution to the field of German history, allowing experts in the field as well as researchers in other areas a forceful immersion into the workings and deployment of sexual categories and policies during and following the Third Reich. There is little doubt that it will become a standard text for teaching and future research." -Sexuality & Culture The interrelationship of fascism and sexuality has attracted a great deal of interest for some time now. This collection offers fresh perspectives by leading scholars on the history of sexuality under national socialism on such topics as the persecution of Jewish-gentile sex in the "race defilement" trials, homophobic propaganda and the prosecution of same-sex activity within the Wehrmacht and SS, representations of female sexuality in film, prostitution on home and battle fronts, sexual relations between Germans and foreign forced laborers, and reproductive practices among Jewish survivors. Moreover, the authors provide new insights into the relationships between Nazi sexual politics and antisemitism and challenge assumptions of Nazism as sexually repressive; instead they emphasize the interrelationships between incitement to sexual activity and persecution and mass murder. Dagmar Herzog is Professor of History at the Graduate Center, City University of New York and the author of Sex after Fascism: Memory and Morality in Twentieth-Century Germany (Princeton 2004) and Intimacy and Exclusion: Religious Politics in Pre-revolutionary Baden (Princeton 1996).

This fascinating book examines the position of women under the Nazis. The National Socialist movement was essentially male-dominated, with a fixed conception of the role women should play in society; while man was the warrior and breadwinner, woman was to be the homemaker and childbearer. The Nazi obsession with questions of race led to their insisting that women should be encouraged by every means to bear children for Germany, since Germany's declining birth rate in the 1920s was in stark contrast with the prolific rates among the 'inferior' peoples of eastern Europe, who were seen by the Nazis as Germany's foes. Thus, women were to be relieved of the need to enter paid employment after marriage, while higher education, which could lead to ambitions for a professional career, was to be closed to girls, or, at best, available to an exceptional few. All Nazi policies concerning women ultimately stemmed from the Party's view that the German birth rate must be dramatically raised.

The Nazi's were implacably opposed to feminism and women's independence. Rosa Luxemburg became a symbol of all that most horrified them in German society, in particular because of her involvement in active politics. Nazi ideology saw women in the activist role of 'wives, mothers and home-makers', and their task was to support their fighting menfolk by providing food and making and mending uniforms and flags. The miscellany of women's organisations was dissolved and reunified by Gregor Strasser in 1931, and in 1934 Gertrud Scholtz-Klink became an overall leader of the Nazi Women's Group, after which it functioned primarily as a propaganda channel. Part of the policy of Gleichschaltung (co-ordination) meant that even to join a sewing group, women had to choose the party group or nothing. This book provides a detailed and fascinating picture of the origins, development and functions of the specifically women's organisations associated with the NSDAP from their beginnings in the early 1920s, until their demise in 1945. It traces the history of the Nazi Women's Group, the sources of its members and analyses their ambitions and hopes from the Frauenwerk. Its purpose is above all to make an important contribution to the study of National Socialism as a movement which attracted and held the enthusiasm of a small minority of Germans who, given the chance from 1933, attempted to impose their will on the majority.

From extensive research, including a remarkable interview with the unrepentant chief of Hitler's Women's Bureau, this book traces the roles played by women - as followers, victims and resisters - in the rise of Nazism. Originally publishing in 1987, it is an important contribution to the understanding of women's status, culpability, resistance and victimisation at all levels of German society, and a record of astonishing ironies and paradoxical morality, of compromise and courage, of submission and survival.

This study offers a clear, concise introduction to the Fascist-era practice, know as confino, of exiling antifascist dissidents to parts of Italy far from the dissidents' homes, often on islands or in tiny inland villages. The book is organised in two sections. Part one provides a case study of the political colony on the island of Lipari and a historical overview of internal exile. Part two focuses on representations of confinement in literature and film. It examines the varieties of self-expression (e.g. memoirs, letters and literature) used by prisoners to describe their experiences, investigates how filmmakers interpret these events, places and people, and explores how film portrays the repression of homosexuality. A timely examination of the birthplace of European federalism, the book also contributes to our understanding of the legacy of confinement from both national and European perspectives. -- .

This is an interdisciplinary study on the extreme vilification of human dignity by Nazism. It is focused on the two greatest protagonists of the sides that were confronted in those years of the most tragic uncertainty about the fate of the human species: Adolf Hitler, the 'genius' of Nazi ideology, and Thomas Mann, his most prominent opponent in exile, spokesman for the values of Humanism and Civilisation that blew pulverised from the chimneys of concentration camps. How was Nazism possible? How do we can prevent its avatars? This book presents that Nazism and the wickedness of its ghastly crimes against human dignity have anthropological roots, able to reproduce at any time and any place, and that the most powerful resource against its reproduction and for the flourishment of the human dignity is the human right to education.

6 million Jews were murdered by the Nazis, but this is only half the story. Doris Bergen reveals how the Holocaust extended beyond the Jews to engulf millions of other victims in related programmes of mas-murder. The Nazi killing machine began with the disabled, and went on to target Afro-Germans, Gypsies, non-Jewish Poles, French African soldiers, Soviet prisoners of war, homosexual men and Jehovah's Witnesses. As Nazi Germany conquered more territories and peoples, Hitler's war turned soldiers, police officers and doctors into trained killers, creating a veneer of legitimacy around vicious acts of ethnic cleansing and genocide. Using the testimonies of both survivors and eyewitnesses, as well as a wealth of rarely seen photographs, Doris Bergen shows the true extent of the catastrophe that overwhelmed Europe during the Second World War, in a gripping story of the lives and deaths of real people.

This book is freely available in digital formats thanks to a generous grant from the Andrew W. Mellon Foundation. Anglophobia in Fascist Italy traces the origins and development of anti-British sentiment in Fascist Italy, as Britain turned from being an ally in the First World War to an enemy in the Second. The book demonstrates that Fascist ideologues framed Britain as a stagnant and decaying country and the polar opposite of Fascism's new civilisation, to the point that the regime's assessment of British political resolve and military might were distorted by ideological bias. The book offers a thorough analysis of diplomatic, military and journalistic sources and demonstrates that anti-British tropes had permeated Italy to a greater degree than was previously believed. -- .

No other political party in the history of Britain's fascist tradition has been as successful at the ballot box as today's British National Party (BNP). This thoroughly revised and updated edition of Contemporary British Fascism offers an in-depth study of the BNP and its quest for social and political legitimacy.

This is the first detailed study of Estonian politics during the 1930s. It examines the Estonian Veteran's League, which won a majority in a referendum for its constitutional amendment, creating a strong presidency. The Veterans appeared set to triumph in the 1934 elections, but were thwarted by the establishment of an authoritarian regime. By using formerly unobtainable archival records, this study fills a considerable gap in the literature on the Baltic states and should be of interest to students of fascism.

Why did democracy survive in some European countries between the wars while fascism or authoritarianism emerged elsewhere? This innovative study approaches this question through the comparative analysis of the inter-war experience of eighteen countries within a common comprehensive analytical framework. It combines (social and economic) structure- and (political) actor-related aspects to provide detailed historical accounts of each case which serve as background information for the systematic testing of major theories of fascism and democracy.

This book examines fascist ideology in seven leaders of parties and movements in the interwar period. It makes use of the conceptual morphological approach, focused on core and adjacent concepts, as well as on the interlinkages between them. With such an approach, the book seeks to offer an innovative perspective on fascism and arrive at a conceptual configuration of fascist ideology, capable of highlighting its main concepts and combinations. Furthermore, it examines the major texts of seven leaders from Germany, Italy, the UK, Portugal, Spain, France and Romania - Adolf Hitler, Benito Mussolini, Oswald Mosley, Rolao Preto, Primo de Rivera, Marcel Deat, and Corneliu Codreanu. With the conceptual approach, the book reasserts the possibility of finding a definition of generic fascism at the same time as depicting the ideological varieties espoused by each leader. This title will be of interest to students and scholars of fascism, extremism and the far right.

This book posits a new theory of fascism as a radical political community of experience. The author engages with a range of thinkers both critical of and inspiring fascism including Walter Benjamin, Albert Camus, Ernst Junger, Carl Schmitt, Friedrich Nietzsche and Martin Heidegger. This book will be of interest to scholars of the history of political thought, fascism and Nazism.

This book examines the career and publications of the French architect Julien-David Leroy (1724-1803) and his impact on architectural theory and pedagogy.

Despite not leaving any built work, Leroy is a major international figure of eighteenth-century architectural theory and culture. Considering the place that Leroy occupied in various intellectual circles of the Enlightenment and Revolutionary period, this book examines the sources for his ideas about architectural history and theory and defines his impact on subsequent architectural thought. This book will be of key interest to graduate students and scholars of Enlightenment-era architectural history.

The Nazis spared their lives because they were twins.

In the summer of 1944, Eva Mozes Kor and her family arrived at Auschwitz.

Within thirty minutes, they were separated. Her parents and two older sisters were taken to the gas chambers, while Eva and her twin, Miriam, were herded into the care of the man who became known as the Angel of Death: Dr. Josef Mengele. They were 10 years old.

While twins at Auschwitz were granted the 'privileges' of keeping their own clothes and hair, they were also subjected to Mengele's sadistic medical experiments. They were forced to fight daily for their own survival and many died as a result of the experiments, or from the disease and hunger rife in the concentration camp.

In a narrative told simply, with emotion and astonishing restraint, The Twins of Auschwitz shares the inspirational story of a child's endurance and survival in the face of truly extraordinary evil.

Also included is an epilogue on Eva's incredible recovery and her remarkable decision to publicly forgive the Nazis. Through her museum and her lectures, she dedicated her life to giving testimony on the Holocaust, providing a message of hope for people who have suffered, and worked toward goals of forgiveness, peace, and the elimination of hatred and prejudice in the world.

Were those who worked in the theatres of the Third Reich willing participants in the Nazi propaganda machine or artists independent of official ideology? To what extent did Richard Strauss and Carl Orff follow Nazi dogma? How did famous directors such as Gustaf Grudgens and Jurgen Fehling react to the new regime? Why were Shakespeare and George Bernard Shaw among the most performed dramatists of the time? And why did the Nazis sanction Jewish theatre? This is the first book in English about theater in the entire Nazi period. Based on contemporary press reports, research in German archives, and interviews with surviving playwrights, actors, and musicians, it is a much needed guide to this neglected area of European culture.