The Nazi's were implacably opposed to feminism and women's independence. Rosa Luxemburg became a symbol of all that most horrified them in German society, in particular because of her involvement in active politics. Nazi ideology saw women in the activist role of 'wives, mothers and home-makers', and their task was to support their fighting menfolk by providing food and making and mending uniforms and flags. The miscellany of women's organisations was dissolved and reunified by Gregor Strasser in 1931, and in 1934 Gertrud Scholtz-Klink became an overall leader of the Nazi Women's Group, after which it functioned primarily as a propaganda channel. Part of the policy of Gleichschaltung (co-ordination) meant that even to join a sewing group, women had to choose the party group or nothing. This book provides a detailed and fascinating picture of the origins, development and functions of the specifically women's organisations associated with the NSDAP from their beginnings in the early 1920s, until their demise in 1945. It traces the history of the Nazi Women's Group, the sources of its members and analyses their ambitions and hopes from the Frauenwerk. Its purpose is above all to make an important contribution to the study of National Socialism as a movement which attracted and held the enthusiasm of a small minority of Germans who, given the chance from 1933, attempted to impose their will on the majority.

From extensive research, including a remarkable interview with the unrepentant chief of Hitler's Women's Bureau, this book traces the roles played by women - as followers, victims and resisters - in the rise of Nazism. Originally publishing in 1987, it is an important contribution to the understanding of women's status, culpability, resistance and victimisation at all levels of German society, and a record of astonishing ironies and paradoxical morality, of compromise and courage, of submission and survival.

No other political party in the history of Britain's fascist tradition has been as successful at the ballot box as today's British National Party (BNP). This thoroughly revised and updated edition of Contemporary British Fascism offers an in-depth study of the BNP and its quest for social and political legitimacy.

In contrast to Euro-centric works on comparative fascism that set Japan apart from Germany and Italy, this book emphasizes parallels between Japan and its Axis Allies. Romantic nationalist ideologies attracted a strong following in all three nations as they emerged as modern states in the late 1800s. In both Germany and Japan these were, from the beginning, strongly racial in nature. Spurred by grievances against the "status quo" powers, all three took up aggressive policies in the 1930s, producing a short-lived "fascist era." Japan's prominent role demands a broader perspective and consideration of "fascism" as more than a purely European phenomenon.

Were those who worked in the theatres of the Third Reich willing participants in the Nazi propaganda machine or artists independent of official ideology? To what extent did Richard Strauss and Carl Orff follow Nazi dogma? How did famous directors such as Gustaf Grudgens and Jurgen Fehling react to the new regime? Why were Shakespeare and George Bernard Shaw among the most performed dramatists of the time? And why did the Nazis sanction Jewish theatre? This is the first book in English about theater in the entire Nazi period. Based on contemporary press reports, research in German archives, and interviews with surviving playwrights, actors, and musicians, it is a much needed guide to this neglected area of European culture.

A landmark defense of democracy that has been hailed as one of the most important books of the twentieth century One of the most important books of the twentieth century, The Open Society and Its Enemies is an uncompromising defense of liberal democracy and a powerful attack on the intellectual origins of totalitarianism. An immediate sensation when it was first published, Karl Popper's monumental achievement has attained legendary status on both the Left and Right. Tracing the roots of an authoritarian tradition represented by Plato, Marx, and Hegel, Popper argues that the spirit of free, critical inquiry that governs scientific investigation should also apply to politics. In a new foreword, George Soros, who was a student of Popper, describes the "revelation" of first reading the book and how it helped inspire his philanthropic Open Society Foundations.

Most studies on the spread of Nazism in German society before and after 1933 concentrate on the country's western parts. As a result, so the author claims, our overall picture of the situation has been distorted since the eastern areas contained a substantial portion of the population. Neglecting them means that all generalizations about the Nazi period require further testing. This first comprehensive study of Saxony therefore fills a large gap, also in light of the fact that Saxony was one of the most industrialized German regions. It deals with problems of continuity and change in German society during three distinct phases: constitutional monarchy, parliamentary democracy, and dictatorship. The author shows convincingly that it was deep-rooted local traditions that determined the success or failure of Nazism among the local population.

"Immersive, nuanced, impeccably researched" IAN RANKIN "Beautifully written and moving" ALLAN MASSIE "Poignant, nostalgic and redolent of the smell of France" SIMON BRETT Family history has always been a mystery to Will Latymer. His father flatly refused to talk about it, and with no other relatives to consult, it seems that a mystery it shall always remain. Until of course, Will meets Ghislaine, his beautiful French cousin, in a chance encounter that introduces him to his grandmother, Madeleine, shut away in a quiet Breton manor with her memories and secrets. Before long, Will has been plunged headlong into the life of Madeleine's great love, his longlost grandfather, Henry Latymer. Reading Henry's old letters and diaries for the first time, Will discovers an idealistic young man, full of hopes and optimism - an optimism that will gradually be crushed as the realities of life under the Vichy regime become glaringly clear. But the more Will delves into Madeleine and Henry's past, and into France's troubled history, the darker the secrets he discovers become, and the more he has cause to wonder if sometimes, the past should remain buried.

The rise of fascism in Europe ultimately plunged the world into war and brought about the horrors of the holocaust, yet these outcomes were far from apparent to many observers in the 1930?s. This collection of contemporary and near contemporary works represents some of the diversity of response as the English speaking world struggled to come to terms with the political upheaval. It includes a wide range of works, including translations from French, Italian and German.

The authors are similarly diverse and range from activists through academics to apologists.In Enter Mussolini and The Rise of Italian Fascism leading anti-fascist writers Emilio Lussu and Angelo Tasca (writing under the pseudonym ?Amilcare Rossi?) chart the establishment of a fascist state in Italy and offer telling insights into the nature and future of fascism. Both Lussu and Tasca were active in their opposition, and for many others the response to fascism involved taking up arms, typified by the thousands of volunteered to fight against Franco in Spain. In The Spanish Tragedy, Dutch writer Jef Last's recounts his experience, which ends in disillusionment with Stalin and the Soviet Union.Other works demonstrate a more basic need for information.

Hitler's Official Programme is a translation of official Nazi documents, which a contemporary review describes as ?a declaration of war by barbarism on civilization?. However it should never be forgotten that the views of many others were more equivocal. In Norman Hillson's I Speak of England the author offers a sympathetic description of a journey through Germany, highlighting the success of economic reconstruction under Hitler.

Issues of race are not ignored but are not seen as central, a view which is challenged by the works of the two exiled German Jews, Heinrich Fraenkel and G. Warburg, included in this collection.A characteristic of the fascist regimes was the extent to which ideology penetrated aspects of everyday life. German Literature through Nazi Eyes and Higher Education in Nazi Germany examine the impact of the Nazis on culture and education. Straight On includes an account of Red Cross work in Belsen and Auschwitz, perhaps the most moving and tragic of the many responses to fascism.

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The extent to which Jews were being actively persecuted in Germany through the 1930's was a hotly debated issue, with many apologists downplaying the centrality of race in Nazi ideology. This book, first published in 1939, provided a clear counter argument to this position. Based on official German publications and reliable external reports, it details the many methods adopted by the Nazi party against the Jews.

What was known and understood about the nature of the Nazi dictatorship in Britain prior to war in 1939? How was Nazism viewed by those outside of Germany? The British Press and Nazi Germany considers these questions through the lens of the British press. Until now, studies that centre on British press attitudes to Nazi Germany have concentrated on issues of foreign policy. The focus of this book is quite different. In using material that has largely been neglected, Kylie Galbraith examines what the British press reported about life inside the Nazi dictatorship. In doing so, the book imparts important insights into what was known and understood about the Nazi revolution. And, because the overwhelming proportion of the British public’s only means of news was the press, this volume shows what people in Britain could have known about the Nazi dictatorship. It reveals what the British people were being told about the regime, specifically the destruction of Weimar democracy, the ruthless persecution of minorities, the suppression of the churches and the violent factional infighting within Nazism itself. This pathbreaking examination of the British press’ coverage of Nazism in the 1930s greatly enhances our knowledge of the fascist regime with which the British Government was attempting to reach agreement at the time.

"This book has no scholarly equivalent in English." . Choice

The Nazis saw film as a major vehicle for both indoctrination and escapist pacification of the "masses"; in fact, Propaganda Minister Joseph Goebbels tried to create a German counter-Hollywood. This highly acclaimed study, by one of Germany's leading commentators and authors on cultural policy, analyses the pictorial and spoken language of the various film genres in the Third Reich, including news reels, documentaries, feature and "cultural" films. It shows how a powerful and sinister propaganda machine emerged which, by deploying a wide range of psychological techniques, exerted a strong fascination on the masses. These methods were so successful that they continue to serve as models for totalitarian regimes to this day.

'Lucid and damning ... an absorbing - and infuriating - tale of complicity, coverup and denial' PATRICK RADDEN KEEFE, author of EMPIRE OF PAIN A groundbreaking investigation of how the Nazis helped German tycoons make billions from the horrors of the Third Reich and World War II - and how the world allowed them to get away with it. In 1946, Gunther Quandt - patriarch of Germany's most iconic industrial empire, a dynasty that today controls BMW - was arrested for suspected Nazi collaboration. Quandt claimed that he had been forced to join the party by his arch-rival, propaganda minister Joseph Goebbels, and the courts acquitted him. But Quandt lied. And his heirs, and those of other Nazi billionaires, have only grown wealthier in the generations since, while their reckoning with this dark past remains incomplete at best. Many of them continue to control swaths of the world economy, owning iconic brands whose products blanket the globe. The brutal legacy of the dynasties that dominated Daimler-Benz, cofounded Allianz and still control Porsche, Volkswagen and BMW has remained hidden in plain sight - until now. In this landmark work, investigative journalist David de Jong reveals the true story of how Germany's wealthiest business dynasties amassed untold money and power by abetting the atrocities of the Third Reich. Using a wealth of untapped sources, de Jong shows how these tycoons seized Jewish businesses, procured slave labourers and ramped up weapons production to equip Hitler's army as Europe burnt around them. Most shocking of all, de Jong exposes how the wider world's political expediency enabled these billionaires to get away with their crimes, covering up a bloodstain that defiles the German and global economy to this day.

How does creativity thrive in the face of fascism? How can a highly artistic individual function professionally in so threatening a climate?

The final book in a critically acclaimed trilogy that includes Different Drummers (OUP 1992) and The Twisted Muse (OUP 1997), this is a detailed study of the often interrelated careers of eight outstanding German composers who lived and worked amid the dictatorship of the Third Reich: Werner Egk, Paul Hindemith, Kurt Weill, Karl Amadeus Hartmann, Carl Orff, Hans Pfitzner, Arnold Schoenberg, and Richard Strauss. Noted historian Michael H. Kater weighs issues of accommodation and resistance to ask whether these artists corrupted themselves in the service of a criminal regime--and if so, whether this is evident in their music. He also considers the degrees to which the Nazis politically, socially, economically, and aesthetically succeeded in their treatment of these individuals, whose lives and compositions represent diverse responses to totalitarianism.

Through a series of critical essays this book concerns itself with the relationships and possibilities in and between "prose" and "disability". The critical and/or personal essays in this book all try to explore this potent inbetween space - a place full of possibilities. These prose pieces reflect on prose themselves as they stretch in an uneven yet interesting line from Hay's 'modern' essay on deformity through nineteenth century literary and cultural sensibilities about working bodies, wars and "normalcy" and also through contemporary considerations over the role of metaphor as it marks the disabled body in critical-creative "personal" essays that pose even as they prose the considerable possibilities for disability as represented in and through prose. This book was first published a special issue of Prose Studies.

The Nazis saw film as a major vehicle for both indoctrination and escapist pacification of the "masses"; in fact, Propaganda Minister Joseph Goebbels tried to create a German counter-Hollywood. This highly acclaimed study, by one of Germany's leading commentators and authors on cultural policy, analyses the pictorial and spoken language of the various film genres in the Third Reich, including news reels, documentaries, feature and "cultural" films. It shows how a powerful and sinister propaganda machine emerged which, by deploying a wide range of psychological techniques, exerted a strong fascination on the masses. These methods were so successful that they continue to serve as models for totalitarian regimes to this day.

6 million Jews were murdered by the Nazis, but this is only half the story. Doris Bergen reveals how the Holocaust extended beyond the Jews to engulf millions of other victims in related programmes of mas-murder. The Nazi killing machine began with the disabled, and went on to target Afro-Germans, Gypsies, non-Jewish Poles, French African soldiers, Soviet prisoners of war, homosexual men and Jehovah's Witnesses. As Nazi Germany conquered more territories and peoples, Hitler's war turned soldiers, police officers and doctors into trained killers, creating a veneer of legitimacy around vicious acts of ethnic cleansing and genocide. Using the testimonies of both survivors and eyewitnesses, as well as a wealth of rarely seen photographs, Doris Bergen shows the true extent of the catastrophe that overwhelmed Europe during the Second World War, in a gripping story of the lives and deaths of real people.

Complicated Complicity is about the forms taken, motives and spectrum of actions of European collaboration with the Nazis. State authorities, local military organizations and individual players in different countries and areas including France, Scandinavia, Lithuania, Poland, Ukraine, Romania, Hungary, Slovakia, Greece, Italy, Portugal and the countries of the former Yugoslavia are discussed in the context of the history of World War II, the history of occupation and everyday life and as an essential influencing factor in the Holocaust. New forms of right-wing populism, nationalism and growing intolerance of Jewish fellow citizens and minorities have made such historically sensitive studies considerably more difficult in many countries today. In this time of increasing historical revisionism in Europe, such elucidating discourse is particularly relevant.

This collection provides readers with a comprehensive overview of postwar representations of Nazism in popular culture, documenting and critiquing their enormous impact and importance. From Charlie Chaplin's The Great Dictator to the depiction of Nazis in the Raiders of the Lost Ark to other various literature, comic books, video games, television programs, and pop music, Nazism has maintained a constant presence in popular culture after World War II. Why are representations of Nazism—which are often used to depict the ultimate expression of human evil—so entrenched in our culture? Each chapter in this book examines this multifaceted topic from different angles, highlighting the different incidences of Nazistic representations in the post-1945 period. The diverse subject matter in this text ranges from analysis of recent allo-historical novels, to the music of the "neo-folk" movement, to fetishes and pornography. Readers will gain insight on how the imagery and symbology of Nazism in popular culture has changed over time and understand how the disconnect between representations of Nazism and the historical record have developed, particularly with regard to the genocide that resulted from Nazi politics.

Hitler's seizure of power in January 1933, in the eyes of some historians, was the culmination of an unstoppable march. Yet the final months of the Weimar Republic saw the Nazis sliding into ever deeper trouble. In particular, the Sturmabteilung or SA - activist heart of the Nazi movement was showing signs of breakage. The stormtroopers who filled its ranks increasingly angered with party leadership, swerved from the party agenda, and fell to dispute and violence at odds with Hitler's cultivated image as herald of a new order. Stormtroopers and Crisis in the Nazi Movement casts fresh light on the crisis that beset Nazism during the final months of Germany's first republic. The book scrutinizes two sets of hitherto understudied records. SA morale reports in the US National Archive show what Nazi leaders themselves knew about their radical paramilitary wing. Police reports on the stormtroopers, from the former DDR state archive in Potsdam, show what Republican authorities knew. This book should be of interest to advanced students and researchers of Modern European History, Modern German History and Nazism.

Contents:
Introduction 1. Peasant Women, the Rural World and the Fasci Femminili 2. Ladies in the Field: Women's Farm Education, the Unione delle Massaie della Campagna and Domus Rustica 3. "An Extraordinary Thing " The National Fascist Federation of Massaie Rurali 4. "Going to the People" The Massaie Rurali Section of the Fasci Femminili 5. "Into Every Farmhouse and Cottage": Propaganda in Print 6. "Women with a Hundred Arms" The Training Programme 7. At the Gates of Rome: the Sant'Alessio Training College 8. A Dopolavoro for Rural Women? Radio, Film and Folklore 9. Recruiting for the Nation. Why did Three Million Join the Massaie Rurali?

How did Vladimir Putin win Russians’ support for his genocidal war in Ukraine and why are so many of them willing to embrace fascism? This vivid, bottom-up narrative reveals the dark realities of youth fascism in Russia—and the darker future awaiting the country if that hold cannot be broken. Wartime Russia is drowning in fascist symbols. Zealous patriots attack journalists, opposition activists, and anyone suspected of betraying the motherland. Hordes of online trolls and sleek videos of angry young men urge citizens to join the cause. State television terrifies viewers with false tales of anti-Russian conspiracies and genocidal yearnings. Child soldiers proudly parade across Red Square. This is Russia in the 2020s: a land of performative rage and nationalist untruth, where pretence and broken promises are a way of life, and an apocalyptic mindset is seizing tomorrow’s Russians. As compelling as it is chilling, Z Generation shows how Russia has ended up here, and where its young people may be headed: a fascist generation more violent and ideological than anything the country has seen before.

This study offers a clear, concise introduction to the Fascist-era practice, know as confino, of exiling antifascist dissidents to parts of Italy far from the dissidents' homes, often on islands or in tiny inland villages. The book is organised in two sections. Part one provides a case study of the political colony on the island of Lipari and a historical overview of internal exile. Part two focuses on representations of confinement in literature and film. It examines the varieties of self-expression (e.g. memoirs, letters and literature) used by prisoners to describe their experiences, investigates how filmmakers interpret these events, places and people, and explores how film portrays the repression of homosexuality. A timely examination of the birthplace of European federalism, the book also contributes to our understanding of the legacy of confinement from both national and European perspectives. -- .