The thirst for post-World War II justice transcended the Cold War and mobilized diverse social groups. This is a story of their multilayered and at times conflictual interactions. In this edited collection, sixteen historians develop a new approach to the trials against persons accused of war crimes and mass murder in Europe during the ascendancy of Nazism and the Second World War (1933-1945). Focusing on the social aspects of the demand for justice and making use of previously underexploited local and international sources, contributors put to the test the notion of "show trials" and explore a range of judicial and political cultures from Germany to the Soviet Union. Essays uncover the expectations around accountability and forms of mobilization on the part of a range of citizens involved in the trials: survivors, witnesses, perpetrators, Nazi hunters, and civic activists. In addition to the perspective of these citizens, contributors invoke the expertise of reporters, filmmakers, historians, investigators, and prosecutors who shaped public representations of justice. These shaping efforts, the authors show, often supported the desire of political authorities to benefit from the publicity of the trials and to contain the spontaneous dissemination of information. The book's close examination of interactions between citizens and authorities thus demonstrates the extent and limits of what might be called a "coproduction" of justice, in the process shedding light on the interdependence between historical knowledge and legal prosecution of mass crimes.

Shaping the minds of the future generation was pivotal to the Nazi regime in order to ensure the continuing success of the Third Reich. Through the curriculum, the elite schools and youth groups, the Third Reich waged a war for the minds of the young. Hitler understood the importance of education in creating self-identity, inculcating national pride, promoting 'racial purity' and building loyalty. Education in Nazi Germany examines how Nazism took shape in the classroom via school textbook policy, physical education and lessons on Nationalist Socialist heroes and anti-Semitism. Offering a compelling new analysis of Nazi educational policy, this book brings to the forefront an often-overlooked aspect of the Third Reich.

For over five decades, North Korea has outlived many forecasts of collapse despite defects in its system. Origins of North Korea's Juche: Colonialism, War, and Development, edited by Jae-Jung Suh, argues that it has survived because of Juche, a unique political institution built on the simple notion of self-determination, whose meanings and limits have been shaped by Koreans' experiences with colonialism, war, and development amidst surrounding superpowers that have complicated their aspirations and plans. The authors in this volume collectively provide an historical institutionalist account of North Korean politics organized around the concept of Juche-commonly translated as self-reliance, but best understood as subjecthood or being a master of one's own fate-focusing on its role as a response to North Korea's experiences with colonialism, the Korean War, and economic development. The contributors further discuss how Juche circumscribes the evolutionary path that North Koreans can take as they negotiate contemporary challenges. North Korea, as it is now, is best understood in terms of Juche which embodies the cumulative effect of its historical experiences and responses, and its future potential and trajectory, as enabled and constrained by its conception of Juche. This collection provides fascinating insights into the politics and history of one of the world's most mysterious nations.

Fascism was one of the twentieth century's principal political forces, and one of the most violent and problematic. Brutal, repressive and in some cases totalitarian, the fascist and authoritarian regimes of the early twentieth century, in Europe and beyond, sought to create revolutionary new orders that crushed their opponents. A central component of such regimes' exertion of control was criminal law, a focal point and key instrument of State punitive and repressive power. This collection brings together a range of original essays by international experts in the field to explore questions of criminal law under Italian Fascism and other similar regimes, including Franco's Spain, Vargas's Brazil and interwar Romania and Japan. Addressing issues of substantive criminal law, criminology and ideology, the form and function of criminal justice institutions, and the role and perception of criminal law in processes of transition, the collection casts new light on fascism's criminal legal history and related questions of theoretical interpretation and historiography. At the heart of the collection is the problematic issue of continuity and similarity among fascist systems and preceding, contemporaneous and subsequent legal orders, an issue that goes to the heart of fascist regimes' historical identity and the complex relationship between them and the legal orders constructed in their aftermath. The collection thus makes an innovative contribution both to the comparative understanding of fascism, and to critical engagement with the foundations and modalities of criminal law across systems.

This includes a brilliant line-up of international contributors that examine the implications of the portrayals of Nazis in low-brow culture and that culture's re-emergence today. "Nazisploitation!" examines past intersections of National Socialism and popular cinema and the recent reemergence of this imagery in contemporary visual culture. In the late 1960s and early 1970s, films such as "Love Camp 7" and "Ilsa, She-Wolf of the SS" introduced and reinforced the image of Nazis as master paradigms of evil in what film theorists deem the "sleaze" film. More recently, Tarantino's "Inglourious Basterds", as well as video games such as "Call of Duty: World at War", have reinvented this iconography for new audiences. In these works, the violent Nazi becomes the hyperbolic caricature of the "monstrous feminine" or the masculine sadist. Power-hungry scientists seek to clone the Fuhrer, and Nazi zombies rise from the grave. The history, aesthetic strategies, and political implications of such translations of National Socialism into the realm of commercial, low brow, and "sleaze" visual culture are the focus of this book. The contributors examine when and why the Nazisploitation genre emerged as it did, how it establishes and violates taboos, and why this iconography resonates with contemporary audiences.

Flying and the pilot were significant metaphors of fascism's mythical modernity. Fernando Esposito traces the changing meanings of these highly charged symbols from the air show in Brescia, to the sky above the trenches of the First World War to the violent ideological clashes of the interwar period.

Adolf Hitler attained power in 1933 as the result of a complex set of factors, some of which were complementary and some of which were mutually exclusive. This book describes and analyzes the reasons Hitler became chancellor of Germany, which included the harsh Treaty of Versailles that ended World War I; the Germans' lack of faith in democracy and the reasons behind it; the corruption and political and economic mismanagement which characterized the Weimar Republic; the hyperinflation of the early 1920s, when the cost of a dollar exploded to 4.2 trillion marks and the German currency lost 99.3% of its value; the Great Depression, during which nearly a quarter of the German work force was unemployed; the political and economic instability of the times, in which the Nazis thrived; and the evil genius of Hitler, the master politician. This book transports the reader back to the Germany of the 1920s and 1930s, so he or she can experience what it was like to be there as Hitler and his cronies grasped for power and the foundations of the Weimar Republic crumbled. How did an Austrian tramp named Adolf Hitler become chancellor of Germany, in a position to launch the most infamous reign of terror experienced in the 20th century? Why Hitler? explains the Nazi rise to power in captivating prose and uncompromising detail. Why Hitler^ focuses on the issue of why and how Hitler and his party attained power in Germany, a question asked by all reflective Americans. Author Samuel Mitcham presents new information, dispensing with the hackneyed theory—presented by Hitler in Mein Kampf and repeated by historians as illustrious as William Shirer and Alan Bullock—that the heroic young Fuehrer struggled to survive against poverty and incredible odds, working as a day laborer and living in a flop house, hunger his constant companion. In fact, Hitler's income from his father's pension was higher than that of a junior postal employee, a teacher with less than five years' service, or a court lawyer with one year's salary.

The first thorough examination of the most renowned and influential organist in early twentieth-century Germany and of his complex relationship to his country's tumultuous and shifting sociopolitical landscape. In the course of a multifaceted career, Karl Straube (1873-1950) rose to positions of immense cultural authority in a German musical world caught in unprecedented artistic and sociopolitical upheaval. Son of a German harmonium-builder and an intellectually inclined English mother, Straube established himself as Germany's iconic organ virtuoso by the turn of the century. His upbringing in Bismarck's Berlin encouraged him to develop intensive interests in world history and politics. He quickly became a sought-after teacher, editor, and confidante to composers and intellectuals, whose work he often significantly influenced. As the eleventh successor to J. S. Bach in the cantorate of St. Thomas School, Leipzig, he focused the choir's mission as curator of Bach's works and, in the unstable political climate of the interwar years, as international emissary for German art. His fraught exit from the cantorate in 1939 bore the scars of his Nazi affiliations and issued in a final decade of struggle and disillusionment as German society collapsed. Christopher Anderson's book presents the first richly detailed examination of Karl Straube's remarkable life, situated against the background of the dynamic and sometimes sinister nationalism that informed it. Through extensive examination of primary sources, Anderson reveals a brilliant yet deeply conflicted musician whose influence until now has been recognized, even hailed, but little understood.

This title is part of UC Press's Voices Revived program, which commemorates University of California Press's mission to seek out and cultivate the brightest minds and give them voice, reach, and impact. Drawing on a backlist dating to 1893, Voices Revived makes high-quality, peer-reviewed scholarship accessible once again using print-on-demand technology. This title was originally published in 1970.

Anthropologist and social critic Ghassan Hage explores one of the most complex and troubling of modern phenomena: the desire for a white nation.

Savitri Devi (1905-1982) became known as the high priestess of "esoteric Hitlerism" for her unique synthesis of National Socialism, Hindu mythology, and the Indo-European cyclical view of history in her 1958 book The Lightning and the Sun. In 1978, Savitri Devi recorded ten hours of interviews on her life, her thought, and her experiences in the National Socialist movement both before and after World War II. And Time Rolls On, the edited transcripts of those hard-to-find recordings, is an ideal introduction to this brilliant and controversial thinker. This Second, Revised Edition corrects a few mistakes in the first edition and makes this important work available to new audiences. Quotes from And Time Rolls On: "I embraced Hinduism because it was the only religion in the world that is compatible with National Socialism. And the dream of my life is to integrate Hitlerism into the old Aryan Tradition, to show that it is really a resurgence of the original Tradition. It's not Indian, not European, but Indo-European. It comes from back to those days when the Aryans were one people near the North Pole. The Hyperborean Tradition." "It suddenly dawned on me, sometime in April 1929 . . . and in Palestine of all places, that this foreign German leader who wanted all Germans in one state and wanted the abolition of the treaties of Versailles and Saint Germain, really wanted more than that, much more. And much more meaning: the freedom of Europe, the freedom of the Aryan race, from any kind of Jewish spiritual overlordship. He's the one who's going to free us from that. Well if he's that, then he's not only the Germans' leader, he's my leader too. Mein Fuhrer. And from that day, I felt, not that I was becoming a National Socialist-I never became one-but that I had always been one, without knowing it. That's what I felt. And I started thinking of going to Germany and joining the movement. It was the movement of liberation." "I'm for a multi-racial world in which each race keeps to itself, in harmony with the other races. Like in a garden, you have flowerbeds of roses and flowerbeds of carnations and irises and different other flowers. They don't intermarry. They stay separate, and each one has its beauty. . . . I'm against colonialism for the reason that colonialism infects the master as well as the slave. It even infects the master more." Savitri Devi is one of the most original and influential National Socialist thinkers of the post-World War II era. Born Maximine Julia Portaz in Lyons, France, she was of English, Greek, and Italian ancestry and described her nationality as "Indo-European." She earned Master's degrees in philosophy and chemistry and a Ph.D. in philosophy from the University of Lyons. Her books include A Warning to the Hindus (1939), L'Etang aux lotus (The Lotus Pond) (1940), A Son of God: The Life and Philosophy of Akhnaton, King of Egypt (1946), later republished as Son of the Sun (1956), Akhnaton: A Play (1948), Gold in the Furnace (1952), The Lightning and the Sun (1958), Pilgrimage (1958), Impeachment of Man (1959), Long-Whiskers and the Two-Legged Goddess (1965), Souvenirs et reflexions d'une Aryenne (Memories and Reflections of an Aryan Woman) (1976), and Forever and Ever: Devotional Poems (2012).

This is the first study to examine Nazi German foreign policy towards the Union of South Africa from 1933-1939. Making extensive use of unpublished primary source German documents, Robert Citino focuses on the activities of the German embassy and consulates within South Africa in order to answer four basic questions: What role did race and racial theory play in German foreign policy towards South Africa? Did Germany attempt to exploit South African yearnings for international respect, and, if so, how? Did the Germans seek to take advantage of deep divisions within South African society between British and Afrikaners? Finally, to what extent was the German Foreign Office Nazified in the 1930s? By concentrating on the policies and views of German diplomatic personnel within a single country--rather than on Hitler's grandiose proclamations and speeches on world affairs--Citino offers a closer look at Nazi German foreign policy operations than is usually available. The study is organized chronologically and begins with an overview of German-South African relations before 1933. Subsequent chapters address early tensions and South African domestic developments in the years leading up to the outbreak of war. Specific topics covered include the role played by the former German colony of Southwest Africa in relations between the two states, the hostile attitude of much of the South African press towards Nazi Germany, the boycott of German firms by the South African Jewish community, the Smuts-Hertzog fusion, the rise of Malan and his Purified nationalist party, the growth of anti-Semitism in South Africa and the concurrent growth in Afrikaner national consciousness, and South African attitudes towards the major European crises of the 1930s. Citino concludes by analyzing Germany's inability to keep South Africa neutral in 1939 and the entry of the Union into the war at England's side. Students of modern German, South African, and twentieth century diplomatic history will find Citino's work an enlightening contribution to the literature of Nazi Germany's foreign relations.

This study throws light for the first time on a neglected but very important aspect of Jewish life in the Third Reich, the Jewish press. This term does not refer to the significant number of Jews involved in the German media up to the Second World War but to the 65 newspapers and magazines published by 53 publishing houses with a specific German-Jewish readership in mind. These publications appeared until the end of 1938 and allow a valuable insight into the situation of the German Jews under the Nazi regime. They movingly document the efforts of the Jews to cope with the increasing precariousness of their existence in Germany and to find solutions to the growing problems of survival.

In this masterful work of historical scholarship, Zeev Sternhell, an internationally renowned Israeli political scientist and historian, presents a controversial new view of the fall of democracy and the rise of radical nationalism in the twentieth century. Sternhell locates their origins in the eighteenth century with the advent of the Anti-Enlightenment, far earlier than most historians. The thinkers belonging to the Anti-Enlightenment (a movement originally identified by Friederich Nietzsche) represent a perspective that is antirational and that rejects the principles of natural law and the rights of man. Sternhell asserts that the Anti-Enlightenment was a development separate from the Enlightenment and sees the two traditions as evolving parallel to one another over time. He contends that J. G. Herder and Edmund Burke are among the real founders of the Anti-Enlightenment and shows how that school undermined the very foundations of modern liberalism, finally contributing to the development of fascism that culminated in the European catastrophes of the twentieth century.

Here is the story, in his own words, of how Cesare Mori, with the support of Italian Fascist leader Benito Mussolini, took on the might of the Sicilian Mafia. It was a struggle that earned Mori much criticism of his methods from the liberal media, but much praise not only from Mussolini himself but from the people of Sicily who had for decades lived in fear of this criminal secret society which had become the scourge of ordinary Sicilians.

There was nothing of a flashy nature about the Mafia in Sicily. Operating in a non-industrialised society, the Mafioso in Sicily made their wealth not from drugs, prostitution and gambling, but from the theft of horses and livestock, kidnapping, and the extortion of money from simple town and country folk and large landowners alike, and like their American colleagues the Sicilian Mafia enforced their rule through violence and murder.

However, with the Allied invasion of Sicily in 1943, the U.S. Military enlisted the help of the American Mafia in re-establishing Mafia activity in Sicily, with the aim of undermining Fascist rule - a tactic that not only had far reaching consequences for Sicily, but for the whole of Italy for decades to come.

In another time or place Cesare Mori's struggle against the Mafia would have been remembered alongside Elliott Ness, but it is now a story largely forgotten, because, like much else, it was an achievement of the Mussolini era, and as such is to be written out of history.

Cesare Mori's story of his struggle against the Mafia not only deserves to be told, but it provides an insight into Sicilian society and a rural way of life that has for the most part now disappeared.

Italy emerged from the Paris Peace Conference of 1919 with the feeling that it had been denied its just rewards by ungrateful allies and that its victory was thus mutilated. Integrating this vengefulness into his diplomacy in the 1920s, Mussolini undertook a policy of selected treaty revision aimed at the breakup of the newly created state of Yugoslavia through covert operations. These stratagems proved futile. Ignoring the threat posed by Nazi Germany's obvious determination to annex Austria, whose continued independence was key to Italy's security in Europe, Mussolini successfully invaded Ethiopia in October 1935, with only lukewarm opposition from France and Britain. Subsequently, in July 1936, he unwisely intervened on the side of the insurgent general Francisco Franco against the Republican government in Madrid. Instead of the expected speedy victory, Italy got bogged down in a prolonged civil war, which rendered Mussolini even more dependent on Nazi Germany. To preserve his standing in Berlin, he did not lift a finger when the Third Reich marched into Austria in 1938. Convinced of the growing decadence of the Western democracies, Mussolini turned to forge the Rome-Berlin Axis. But given Italy's military weakness, Mussolini was bound to be Hitler's junior partner. When the Duce talked of turning the Mediterranean Sea into an Italian lake in February 1939, he found himself trapped in Hitler's military iron cage. Parity in the Axis was the Duce's own peculiar myth. When Germany invaded Poland in September 1939, Mussolini declared nonbelligerency since he was in no position to wage war. He intended to bide his time in order to see who would win or, in the event of a stalemate, to step in as a mediator. But when the Nazi steamroller crushed France, Mussolini felt he had only one option—war on the side of Germany. By tying himself to Hitler's war chariot, Mussolini sacrificed the national interests of his country and doomed his Fascist regime to ultimate destruction.

Broken Threads tells the story of the destruction of the Jewish fashion industry under the Nazis. Jewish designers were very prominent in the fashion industry of 1930s Germany and Austria. The emergence of Konfektion, or ready-to-wear, and the development of the modern department store, with its innovative merchandising and lavish interior design, only emphasized this prominence. The Nazis came to see German high fashion as too heavily influenced by Jewish designers, manufacturers and merchandisers. These groups were targeted with a campaign of propaganda, boycotts, humiliation and Aryanization. Broken Threads chronicles this moment of cultural loss, detailing the rise of Jewish design and its destruction at the hands of the Nazis. Superbly illustrated with photographs and fashion plates from the collection of Claus Jahnke, Broken Threads explores this little-known part of fashion and of Nazi history.

Triggered into action by the shock effect of the Nazi rise to power in Germany, socialists throughout Western Europe entered an unusually active period of reorientation and debate over political strategy which helped determine the contours of European politics up to the outbreak of the Second World War and beyond.