This book constitutes a collection of articles that were written for, and recently published as, special sections in three consecutive issues of the Journal of Personality Assessment. Part I provides lucid commentaries on the current status of and future issues regarding the Rorschach and MMPI-2 and other instruments, including the Minnesota Multiphasic Personality Inventory -- Adolescent (MMPI-A), the Interpersonal Adjective Scales (IAS-R), the Inventory of Interpersonal Problems -- Circumplex version (IIP-C), the revised NEO Personality Inventory (NEO-PI-R), and the third edition of the Millon Clinical Multiaxial Inventory (MCMI-III). The authors not only participated in the dvelopment of the instruments, but continue to lead the research effort in their application in both clinical and research settings. Part II addresses several issues that have been recurring themes, and often topics of debate, in the research and professional literature. The contributors discuss the impact of the five-factor model on personality assessment, the issue of deception in personality assessment, and various critical issues in the measurement of mood states. Other articles focus on the integration of the MMPI-2 and Rorschach and the process that clinicians should follow when applying scientific knowledge to clinical practice. Part III is primarily devoted to overviews of several statistical methods that are employed infrequently in personality assessment research, but have great potential in contributing to the understanding of the complex data sets often encountered in the measurement and study of personality. These articles serve as both an introduction and a brief tutorial for personality researchers who are unfamiliar with the subject matter. They are valuable references that will form the basis for evaluating the appropriate use of these methods in published research in their areas of interest.

The true story of a detective, two bronze horses and the dictator who set the world on fire. When detective Arthur Brand is summoned to a meeting with one of the most dangerous men in the art world, he learns that a clue has emerged that could solve one of the Second World War's unexplained mysteries: what really happened to the Striding Horses, Hitler's favourite statue, which disappeared during the bombing of Berlin. As Brand goes undercover to find the horses, he discovers a terrifying world ruled by neo-Nazis and former KGB agents, where Third Reich memorabilia sells for millions of dollars. The stakes get ever higher as Brand carefully lays his trap to catch the criminal masterminds trying to sell the statue on the black market. But who are they? And will he manage to bring them to justice before they discover his real identity? With a plot worthy of John Le Carre, Hitler's Horses is a thrilling retelling of one of history's most extraordinary heists.

This new text places interwar European fascism squarely in its historical context and analyses its relationship with other right wing, authoritarian movements and regimes. Beginning with the ideological roots of fascism in pre-1914 Europe, Martin Blinkhorn turns to the problem-torn Europe of 1919 to 1939 in order to explain why fascism emerged and why, in some settings, it flourished while in others it did not. In doing so he considers not just the 'major' fascist movements and regimes of Italy and Germany but the entire range of fascist and authoritarian ideas, movements and regimes present in the Europe of 1919-1945.

By studying the development of Italy's penal system, Pires Marques provides valuable insights into the wider political culture of European society. Focusing on the rise of fascism in Spain and Portugal as well as Italy, he examines the role of religious, economic and political factors in the making of penal laws.

For fifty-five years, from 1919 until 1975, The Britons published Jew-hating literature. For the forty years until his death in 1948, the founder and president of The Britons, Henry Hamilton Beamish, devoted his life to touring the world as an obsessive preacher of this hatred. Using material he has collected over the past thirty years, Nick Toczek tells their story. This is the first complete history of The Britons, which was the most prolific and influential advocate of extreme prejudice against all things Jewish - not least as the publishers of that notorious forgery, The Protocols of the Elders of Zion. Likewise, his is the first biography of Beamish. Putting both The Britons and Beamish into context, this book also examines and explains their precursors, their contemporaries and their legacy. Here, then are detailed accounts of hundreds of anti-Jewish organisations and individuals. These include the late-Victorian anti-Semitism of Arnold White and the British Brothers League; the curious life of Rotha Lintorn Orman who was the unlikely founder of British Fascisti, Britain's first fascist party; Anglo-American supporters of Hitler; the lives and roles of extreme haters such as Arnold Leese and Colin Jordan; and the whole history of The Protocols, including the key role played by American motor magnate, Henry Ford. This shocking history of hatred takes us from South Africa to Nazi Germany, America to Rhodesia.

Architectural design can play a role in helping make the past present in meaningful ways when applied to preexisting buildings and places that carry notable and troubling pasts. In this comparative analysis, Rumiko Handa establishes the critical role architectural designs play in presenting difficult pasts by examining documentation centers on National Socialism in Germany. Presenting Difficult Pasts Through Architecture analyzes four centers - Cologne, Nuremberg, Berlin, and Munich - from the point of view of their shared intent to make the past present at National Socialists' perpetrator sites. Applying original frameworks, Handa considers what more architectural design could do toward meaningful representations and interpretations of difficult pasts. This book is a must-read for students, practitioners, and academics interested in how architectural design can participate in presenting the difficult pasts of historical places in meaningful ways.

This book deals with the Second World War in Southeastern Europe from the perspective of conditions on the ground during the conflict. The focus is on the reshaping of ethnic and religious groups in wartime, on the "top-down" and "bottom-up" dynamics of mass violence, and on the local dimensions of the Holocaust. The approach breaks with the national narratives and "top-down" political and military histories that continue to be the predominant paradigms for the Second World War in this part of Europe.

Activism in any social movement group is, as Deborah Gould observes, a project of collective 'world-making'. It is about changing the world out there by influencing policy and public opinion, but is also about the way it transforms the lives of participants - activists generate new identities, cultures, social ties, rich and varied emotional experiences and interpretations of the world around them. Movements are more likely to be able to attract and sustain support when as projects of collective world-making they feel compelling to activists and would-be activists. In this book Busher explores what has made activism in the English Defence League (EDL), an anti-Muslim protest movement that has staged demonstrations across the UK since 2009, so compelling to those who have chosen to march under its banner. Based on sixteen months of overt observation with grassroots activists, he explores how people became involved with the group; how they forged and intensified belief in the EDL cause; how they negotiated accusations that they were just another racist, far right group; and how grassroots EDL activism began to unravel during the course of 2011 but did not do so altogether. Providing a fresh insight as to how contemporary anti-minority protest movements work on the inside, this book will be of interest to students, scholars and activists working in the areas of British politics, extremism, social movements, community relations and current affairs more generally.

In Central and Eastern Europe, radical right actors significantly impact public debates and mainstream policy agenda. But despite this high discursive influence, the electoral fortune of radical right parties in the region is much less stable. It has been suggested that this may be due to the fact that mainstream competitors increasingly co-opt issues which are fundamental for the radical right. However, the extent to which such tactics play a role in radical right electoral success and failure is still a subject for debate. This book is the first to provide a systematic theoretical framework and in-depth empirical research on the interaction between discursive influence, party competition and the electoral fortune of radical right parties in Central and Eastern Europe. It argues that in order to fully explain the impact of mainstream party strategies in this regard, it is vital to widen the analysis beyond competition over issues themselves, and towards their various legitimizing narratives and frame ownership. Up-to-date debates over policies of collective identity (minority, morality and nationalizing politics) in Hungary, Poland, and Slovakia serve as best cases to observe these under-researched phenomena. The analytical model is evaluated comparatively using original, primary data combined with election studies and expert surveys. Advancing an innovative, fine-grained approach on the mechanisms and effects of party competition between radical right and mainstream parties, this book will be of interest to students and scholars researching the far right and European party politics, as well as political contestation and framing.

Between 1919 and 1945 most countries in Europe spawned some form of fascism. Some have become considerably more notorious than others: this book, first published in 1987, sets out to analyse the social forces that went into the making of the fascist parties of the major European countries and to show the similarities and differences in their constitution as well as to suggest reasons for their different degrees of penetration and success. Few books have surveyed the whole field; the team of contributors engaged in the present enterprise offer a systematic and thorough survey of the social characteristics of European fascist movements, a subject of central importance to social and political history.

This book examines the work of several modern artists, including Fortunato Depero, Scipione, and Mario Radice, who were working in Italy during the time of Benito Mussolini's rise and fall. It provides a new history of the relationship between modern art and fascism. The study begins from the premise that Italian artists belonging to avant-garde art movements, such as futurism, expressionism, and abstraction, could produce works that were perfectly amenable to the ideologies of Mussolini's regime. A particular focus of the book is the precise relationship between ideas of history and modernity encountered in the art and politics of the time and how compatible these truly were.

This book, first published in 1986, examines the activities and beliefs of right-wing Conservatives and overt Fascists in inter-war Britain. It analyses the role that ideology played in the various struggles between leaders and dissidents within the Conservative Party, traces the development of central themes in right-wing thought and seeks to show how the complexity of these beliefs established ideological barriers to the growth of Fascism in Britain which, it is argued, was heavily reliant upon the support of disillusioned Conservatives for its limited success. In this way the book contributes to our understanding of both the Conservative Party and the British Fascist movement between the wars, and in doing so helps to establish an overview of right-wing politics in Britain since the turn of the century. It also contains an appendix of information on lesser-known individuals and organisations on the Right.

This book charts the performative dimension of the Holocaust memorialization culture through a selection of representative artistic, educational, and memorial projects. Performative practice refers to the participatory and performance-like aspects of the Holocaust memorial culture, the transformative potential of such practice, and its impact upon visitors. At its core, performative practice seeks to transform individuals from passive spectators into socially and morally responsible agents. This edited volume explores how performative practices came into being, what impact they exert upon audiences, and how researchers can conceptualise and understand their relevance. In doing so, the contributors to this volume innovatively draw upon existing philosophical considerations of performativity, understandings of performance in relation to performativity, and upon critical insights emerging from visual and participatory arts. The chapters in this book were originally published as a special issue of Holocaust Studies: A Journal of Culture and History.

The continuing interest in the history, ideas, structure and development of fascism in Britain in the twentieth century appears to show little sign of diminishing. This collection of essays, first published in 1980, deals in some depth with new evidence and interpretations of the phenomenon of British fascism and provides a reassessment of some of the major issues that have caused controversy, examines the diverse nature of British fascism and suggests areas which need further research. The early essays identify certain elements of British fascism, particularly anti-semitism, which produced the ideology of the inter-war organisations calling themselves 'fascist'. Stress is laid on the British roots rather than the European influences of Italy or Germany, and the book also considers the Imperial Fascist League, a competitor of the British Union of Fascists in the 1930s. The second section of the book deals with particular aspects of the BUF. Considering its ideology and tactics, there are studies of anti-semitism, economic thought and the public order question. Presenting new research and fresh interpretations of existing material, this important volume considers many of the crucial and unanswered questions surrounding British fascism.

Often neglected in the study of far right organisations, post-communist Europe recently witnessed the rise and fall of a number of populist radical right parties. The Populist Radical Right in Central and Eastern Europe is the first comparative study to focus on the ideology, impact, and electoral performance of this party family in the region. The book advances a series of arguments concerning the context and text of these parties, and systematically analyses the supply-side and demand-side of populist radical right politics. Whilst populist radical right parties in Central and Eastern Europe maintain broad similarities with their West European counterparts, they come across as a distinct phenomenon worthy of study in their own right. Parties like Ataka (Bulgaria), Jobbik (Hungary), and the SNS (Slovakia) resort to historical legacies and contextual idiosyncrasies to frame their ideology; interact with other parties over a number of policy areas; and ultimately compete for public office on the basis of their nativist agenda. The book provides a novel framework for the analysis of different aspects of populist radical right politics, notably enhancing the understanding of this phenomenon by means of primary data such as personal interviews with party leaders and original expert surveys. Using the ideological features of these parties as an overarching analytical tool, this book is essential reading for students and scholars researching the far right, post-communist issues and European politics in general.

In Post-War Britain cultural interventions were a feature of fascist parties and movements, just as they were in Europe. This book makes a new major contribution to existing scholarship which begins to discuss British fascism as a cultural phenomenon. A collection of essays from leading academics, this book uncovers how a cultural struggle lay at the heart of the hegemonic projects of all varieties of British fascism. Such a cultural struggle is enacted and reflected in the text and talk, music and literature of British fascism. Where other published works have examined the cultural visions of British fascism during the inter-war period, this book is the first to dedicate itself to detailed critical analysis of the post-war cultural landscapes of British fascism. Through discussions of cultural phenomena such as folk music, fashion and neo-nazi fiction, among others, Cultures of Post-War British Fascism builds a picture of Post-War Britain which emphasises the importance of understanding these politics with reference to their corresponding cultural output. This book is essential reading for undergraduates and postgraduates studying far right politics and British history.

This book develops a number of new conceptual tools to tackle some of the most hotly debated issues concerning the nature of fascism, using three profoundly different national contexts in the inter-war years as case studies: Italy, Britain and Norway. It explores how fascist ideology was the result of a sustained struggle between competing internal factions, which created a precarious, but also highly dynamic, balance between revolutionary/totalitarian and conservative/authoritarian tendencies. Such a balance meant that these movements were hybrids with a surprising degree of internal diversity, which cannot be explained away as simple opportunism or lack of ideological substance. The book's focus on fascist ideology's internal variety and aggregative potential leads it to argue that when fascism "succeeded," this was less an effect of its revolutionary ideas, than of the opposite - namely, its power to integrate elements from other pre-existing ideologies. Given the prevailing opinion that fascism is revolutionary by definition, the book ultimately poses a challenge to the dominant view in the field of fascist studies.

This book posits a new theory of fascism as a radical political community of experience. The author engages with a range of thinkers both critical of and inspiring fascism including Walter Benjamin, Albert Camus, Ernst Junger, Carl Schmitt, Friedrich Nietzsche and Martin Heidegger. This book will be of interest to scholars of the history of political thought, fascism and Nazism.

Transforming the transformation? The East European Radical Right in the Political Process examines the significance of radical right parties, along with other organizations, in terms of their involvement in the political process of new democracies. This groundbreaking study highlights firstly the radical right's interaction with other political actors, such as parties, governments and interest groups, in their respective countries. Secondly, the contributors analyze the effects of such interaction with regard to agenda setting and policies in "loaded" policy fields, namely minorities and immigration, law and order, religion, territorial issues and democratization. Through an examination of the role of radical right actors in political processes and an assessment of the resulting measurable outcomes, this book shows how policies, election results and regime changes indicate shifts away from the liberal-democratic order institutionalized in the course of post-Communist transformation. Offering a unique cross-national comparison of particular facets and themes, as well as in-depth analysis of country cases, this book will be of interest to undergraduate and postgraduate students, as well as scholars, of European politics and far right studies.

This special issue provides important new scholarship from a variety of perspectives on the structure, ideology and political history of the central fascist group in interwar and Second World War Yugoslavia, the Croatian Ustasha. It is the first volume in English to closely explore the Ustasha's Independent State of Croatia between 1941 and 1945, a period when it was an active collaborator with Nazi Germany and Fascist Italy, and largely responsible for Yugoslavia suffering the highest proportion of national casualties in the Second World War. By using the top scholars in the field to explore the nature of the NDH, The Independent State of Croatia 1941-45 contributes to scholarly understandings of Croatian nationalism, Balkan politics, European fascism, and genocide in the Second World War.

The twelve years of the Third Reich casts a dark shadow over history. Fierce debates still rage over many of the hows, whys and wherefores of this perplexing period. Leading expert on German history, Martin Kitchen, provides a concise, accessible and provocative account of Nazi Germany. It takes into account the political, social, economic and cultural ramifications, and sets it within the context of the times, while pointing out those areas that still defy our understanding. This lively account addresses major issues such as the reasons for Hitlers extraordinary popularity, his hold over the German people even when all seemed lost, the role of ideology, the cooption of the elites, and the descent into war for race and space, culminating in the horrors of the holocaust.

Hanna Reitsch longed to fly. Having broken records and earned the respect of the Nazi regime, she was the first female Luftwaffe test pilot, and eventually became Adolf Hitler's personal heroine. An ardent Nazi, Hanna was prepared to die for the cause, first as a test pilot for the dangerous V1 flying bombs and later by volunteering for a suggested Nazi 'kamikaze' squadron. After her capture she complained bitterly of not being able to die with her leader, but she went on to have a celebrated post-war flying career. She died at the age of 67, creating a new mystery - did Hanna kill herself using the cyanide pill Hitler had given her over thirty years earlier? Hitler's Heroine reveals new facts about the mysterious pilot and cuts through the many myths that have surrounded her life and death, bringing this fascinating woman back to life for the twenty-first century.

France and Fascism: February 1934 and the Dynamics of Political Crisis is the first English-language book to examine the most significant political event in interwar France: the Paris riots of February 1934. On 6 February 1934, thousands of fascist rioters almost succeeded in bringing down the French democratic regime. The violence prompted the polarisation of French politics as hundreds of thousands of French citizens joined extreme right-wing paramilitary leagues or the left-wing Popular Front coalition. This 'French civil war', the first shots of which were fired in February 1934, would come to an end only at the Liberation of France ten years later. The book challenges the assumption that the riots did not pose a serious threat to French democracy by providing a more balanced historical contextualisation of the events. Each chapter follows a distinctive analytical framework, incorporating the latest research in the field on French interwar politics as well as important new investigations into political violence and the dynamics of political crisis. With a direct focus on the actual processes of the unfolding political crisis and the dynamics of the riots themselves, France and Fascism offers a comprehensive analysis which will be of interest to undergraduate and postgraduate students, as well as scholars, in the areas of French history and politics, and fascism and the far right.

Uncovers the mindset and motives that drive far-right extremists More than half a century after the defeat of Nazism and fascism, the far right is again challenging the liberal order of Western democracies. Radical movements are feeding on anxiety about immigration, globalization and the refugee crisis, giving rise to new waves of nationalism and surges of white supremacism. A curious mixture of Aristocratic paganism, anti-Semitic demonology, Eastern philosophies and the occult is influencing populist antigovernment sentiment and helping to exploit the widespread fear that invisible elites are shaping world events. Black Sun examines this neofascist ideology, showing how hate groups, militias and conspiracy cults gain influence. Based on interviews and extensive research into underground groups, the book documents new Nazi and fascist sects that have sprung up since the 1970s and examines the mentality and motivation of these far-right extremists. The result is a detailed, grounded portrait of the mythical and devotional aspects of Hitler cults among Aryan mystics, racist skinheads and Nazi satanists, and disciples of heavy metal music and occult literature. Nicholas Goodrick-Clarke offers a unique perspective on far right neo-Nazism viewing it as a new form of Western religious heresy. He paints a frightening picture of a religion with its own relics, rituals, prophecies and an international sectarian following that could, under the proper conditions, gain political power and attempt to realize its dangerous millenarian fantasies.