In recent decades, the evidence for an oral epic tradition in
ancient Greece has grown enormously along with our ever-increasing
awareness of worldwide oral traditions. John Foley here examines
the artistic implications that oral tradition holds for the
understanding of the Iliad and Odyssey in order to establish a
context for their original performance and modern-day
reception.
In Homer's Traditional Art, Foley addresses three crucially
interlocking areas that lead us to a fuller appreciation of the
Homeric poems. He first explores the reality of Homer as their
actual author, examining historical and comparative evidence to
propose that "Homer" is a legendary and anthropomorphic figure
rather than a real-life author. He next presents the poetic
tradition as a specialized and highly resonant language bristling
with idiomatic implication. Finally, he looks at Homer's overall
artistic achievement, showing that it is best evaluated via a
poetics aimed specifically at works that emerge from oral
tradition.
Along the way, Foley offers new perspectives on such topics as
characterization and personal interaction in the epics, the nature
of Penelope's heroism, the implications of feasting and lament, and
the problematic ending of the Odyssey. His comparative references
to the South Slavic oral epic open up new vistas on Homer's
language, narrative patterning, and identity.
Homer's Traditional Art represents a disentangling of the
interwoven strands of orality, textuality, and verbal art. It shows
how we can learn to appreciate how Homer's art succeeds not in
spite of the oral tradition in which it was composed but rather
through its unique agency.
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