This book examines Shakespearean adaptations through the critical
lens of fan studies and asks what it means to be a fan of
Shakespeare in the context of contemporary media fandom. Although
Shakespeare studies and fan studies have remained largely separate
from one another for the past thirty years, this book establishes a
sustained dialogue between the two fields. In the process, it
reveals and seeks to overcome the problematic assumptions about the
history of fan cultures, Shakespeare's place in that history, and
how fan works are defined. While fandom is normally perceived as a
recent phenomenon focused primarily on science fiction and fantasy,
this book traces fans' practices back to the eighteenth century,
particularly David Garrick's Shakespeare Jubilee in 1769.
Shakespeare's Fans connects historical and scholarly debates over
who owns Shakespeare and what constitutes an appropriate adaptation
of his work to online fan fiction and commercially available fan
works.
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