This volume of essays looks at Renaissance texts through the lens
of modern theories of mimesis, and also investigates traces of
Early Modern equivalents within those same works. With the
assimilation of critical theory into literary studies during the
late 1960s and the 1970s, many scholars challenged the idea that
mimesis was an unproblematic 'representation of reality'. Instead,
they found a much more complex mimetic art in operation on the
early modern stage. While the work of these earlier scholars is
seminal, this volume argues that it is time to re-figure the
question of mimesis. Contributors examine a wide variety of
Shakespearian and non-Shakespearian texts to come to an increased
historical understanding of the way mimesis operated 400 years ago,
but, more importantly, how they can be seen to be operating
differently today.
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