On Christmas day, 1993, a 59-year-old British woman gave birth
to healthy twins. In Italy the very same week, a black woman bore a
white baby, produced from the semen of her white husband and an egg
donated by a white woman. Heated debates ensued across the United
States and Europe.
Fifteen years ago the very idea of conception outside a woman's
womb triggered science fiction fantasies and alarmist speculations.
Today, thousands of babies are manufactured with the help of
in-vitro fertilization and related technologies each year. The
application of these procedures has continuously shifted the
boundaries of conception and reproduction.
In the public debate on new reproductive technologies, many
voices have been heard: medical scientists hailing the new
technologies as an unprecedented advance; feminists raising
apprehensions about the way in which these technologies might rob a
woman of her reproductive autonomy and bodily integrity; and
ethicists, religious groups, and politicians expressing concerns
about the social and moral implications of the new technologies.
Mapping out the public debate in the three discourses which play
the most significant role in the distribution of public
meanings--science, journalism and fiction--Jos Van Dyck here traces
the ways in which this public consent has been manufactured. This
book examines important questions about the relationship between
science, technology and popular culture.
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