In this important new book, Guy and Small develop a new account
of literary creativity in the late nineteenth century, one that
combines concepts generated by text-theorists concerning the
embodied nature of textuality with the empirical insights of
text-editors and book historians. Through these developments, which
the authors term the textual turn, this study examines the textual
condition of nineteenth-century literature. The authors explore
works by Dickens, Wilde, Hardy, Yeats, Swinburne, FitzGerald,
Pater, Arnold, Pinero and Shaw, connecting questions about what a
work textually is with questions about why we read it and how we
value it. The study asks whether the textual turn places us in a
stronger position to analyze the value of a nineteenth-century text
not for readers of the nineteenth century, but of the twenty-first.
The authors argue that this issue of value is central to their
discipline.
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