In this first substantial study of Emily Dickinson's devotion to
flowers and gardening, Judith Farr seeks to join both poet and
gardener in one creative personality. She casts new light on
Dickinson's temperament, her aesthetic sensibility, and her vision
of the relationship between art and nature, revealing that the
successful gardener's intimate understanding of horticulture helped
shape the poet's choice of metaphors for every experience: love and
hate, wickedness and virtue, death and immortality.
Gardening, Farr demonstrates, was Dickinson's other vocation,
more public than the making of poems but analogous and closely
related to it. Over a third of Dickinson's poems and nearly half of
her letters allude with passionate intensity to her favorite
wildflowers, to traditional blooms like the daisy or gentian, and
to the exotic gardenias and jasmines of her conservatory. Each
flower was assigned specific connotations by the nineteenth century
floral dictionaries she knew; thus, Dickinson's association of
various flowers with friends, family, and lovers, like the tropes
and scenarios presented in her poems, establishes her participation
in the literary and painterly culture of her day. A chapter,
"Gardening with Emily Dickinson" by Louise Carter, cites family
letters and memoirs to conjecture the kinds of flowers contained in
the poet's indoor and outdoor gardens. Carter hypothesizes
Dickinson's methods of gardening, explaining how one might grow her
flowers today.
Beautifully illustrated and written with verve, "The Gardens of
Emily Dickinson" will provide pleasure and insight to a wide
audience of scholars, admirers of Dickinson's poetry, and garden
lovers everywhere.
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