This book is a significant re-thinking of Duchamp's importance in
the twenty-first century, taking seriously the readymade as a
critical exploration of object-oriented relations under the
conditions of consumer capitalism. The readymade is understood as
an act of accelerating art as a discourse, of pushing to the point
of excess the philosophical precepts of modern aesthetics on which
the notion of art in modernity is based. Julian Haladyn argues for
an accelerated Duchamp that speaks to a contemporary condition of
art within our era of globalized capitalist production.
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