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Symptomatic Subjects - Bodies, Medicine, and Causation in the Literature of Late Medieval England (Hardcover)
Loot Price: R1,859
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Symptomatic Subjects - Bodies, Medicine, and Causation in the Literature of Late Medieval England (Hardcover)
Series: Alembics: Penn Studies in Literature and Science
Expected to ship within 10 - 15 working days
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In the period just prior to medicine's modernity-before the rise of
Renaissance anatomy, the centralized regulation of medical
practice, and the valorization of scientific empiricism-England was
the scene of a remarkable upsurge in medical writing. Between the
arrival of the Black Death in 1348 and the emergence of printed
English books a century and a quarter later, thousands of discrete
medical texts were copied, translated, and composed, largely for
readers outside universities. These widely varied texts shared a
model of a universe crisscrossed with physical forces and a picture
of the human body as a changeable, composite thing, tuned
materially to the world's vicissitudes. According to Julie
Orlemanski, when writers like Geoffrey Chaucer, Robert Henryson,
Thomas Hoccleve, and Margery Kempe drew on the discourse of
phisik-the language of humors and complexions, leprous pustules and
love sickness, regimen and pharmacopeia-they did so to chart new
circuits of legibility between physiology and personhood.
Orlemanski explores the texts of her vernacular writers to show how
they deployed the rich terminology of embodiment and its ailments
to portray symptomatic figures who struggled to control both their
bodies and the interpretations that gave their bodies meaning. As
medical paradigms mingled with penitential, miraculous, and
socially symbolic systems, these texts demanded that a growing
number of readers negotiate the conflicting claims of material
causation, intentional action, and divine power. Examining both the
medical writings of late medieval England and the narrative and
poetic works that responded to them, Symptomatic Subjects
illuminates the period's conflicts over who had the authority to
construe bodily signs and what embodiment could be made to mean.
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