There has been a recent revival of interest in the work of Polish
film director Walerian Borowczyk, a label-defying auteur and
"escape artist" if there ever was one. This collection serves as an
introduction and a guide to Borowczyk's complex and ambiguous body
of work, including panoramic views of the director's output,
focused studies of particular movies, and more personal,
impressionistic pieces. Taken together, these contributions
comprise a wide-ranging survey that is markedly experimental in
character, allowing scholars to gain insight into previously
unnoticed aspects of Borowczyk's oeuvre.
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