Born in Mexico City in 1910, Frida Kahlo was just 15 when a road
accident left her crippled, thereby devastating her dream of a
career as a doctor. Condemned to suffer pain for the rest of her
days, Kahlo taught herself to paint, eventually sending her work to
the artist Diego Rivera. Rivera, whose depictions of working class
life were responsible for the modern revival of Mexican art, was to
become her husband. By 1939 their volatile relationship had ended
in divorce and Kahlo had been 'discovered' by the French poet and
principal theorist of Surrealism, Andre Breton. Somewhat peversely,
Breton insisted on incorporating her into the Surrealist movement
despite Kahlo's objection that she in fact saw herself as a realist
painter who simply depicted her own life. In recent times it has
been recognized that Kahlo took the traditions of Mexican popular
art and Mayan history and invested them with an imagery symbolic of
her personal agony. Frequently shocking, Kahlo's paintings suggest
a complex and tortured psychology. Taking this interior life as her
starting point, Braverman embarks upon an imaginary voyage into
Frida Kahlo's mind. Frida is 46 when we meet her and on her
deathbed. Braverman's fictional flashback manages to resist the
trap of whimsy while capturing the essence of an extraordinary
woman whose work Breton once likened to 'a ribbon around a bomb',
and who was once at the centre of controversial artistic and
political circles that included the likes of Leon Trotsky and Pablo
Picasso. Braverman has her own history of rebellion. In the '60s
she was an activist at Berkeley, today she is widely appreciated
for her poetry and short stories. In her seductive and often brutal
interpretation of this enigmatic yet profoundly disturbing painter
Braverman has produced a literary retrospective of one of the most
powerful artists of our times. (Kirkus UK)
"I was born in rain and I will die in rain," begins Kate
Braverman's The Incantation of Frida K., an imagined life journey
of Frida Kahlo. The book opens and closes inside the mind of Frida
K., at 46, on her deathbed, taking us through a kaleidoscope of
memories and hallucinations where we shiver for two hundred pages
on the threshold of life and death, dream and reality, truth and
myth. Defiant and uncompromising, Frida bears the wounds of her
body and spirit with a stark pride, transcending all limitations,
wrapping her senses around the places, events, and conversations in
her past. Frida K. interacts from her hospital bed with her mother,
sister, Diego, and her nurse. She calls herself a "water woman,"
navigating into unexplored dimensions of her world, leading us
through the alleys of San Francisco's Chinatown, of Paris in 1939
(where she rubbed shoulders with Andre Breton), and of her
neighborhood in Mexico City, Coyoacan. Her voyage is an inward one,
an incantation before dying. In The Incantation of Frida K.,
Braverman's language dances and spins. She carves out a bold
interpretation of the life of an artist to whom she is vitally
connected.
General
Imprint: |
Seven Stories Press,U.S.
|
Country of origin: |
United States |
Release date: |
May 2002 |
First published: |
March 2002 |
Authors: |
Kate Braverman
|
Dimensions: |
216 x 145 x 23mm (L x W x T) |
Format: |
Hardcover
|
Pages: |
224 |
Edition: |
1st ed |
ISBN-13: |
978-1-58322-469-4 |
Categories: |
Books >
Fiction >
General & literary fiction >
Modern fiction
|
LSN: |
1-58322-469-6 |
Barcode: |
9781583224694 |
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