When Machines Play Chopin brings together music aesthetics,
performance practices, and the history of automated musical
instruments in nineteenth-century German literature. Philosophers
defined music as a direct expression of human emotion while
soloists competed with one another to display machine-like
technical perfection at their instruments. When Machines Play
Chopin looks at this paradox between thinking about and practicing
music to show what three literary works say about automation and
the sublime in art.
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