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The Matter of Song in Early Modern England - Texts in and of the Air (Hardcover)
Loot Price: R2,424
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The Matter of Song in Early Modern England - Texts in and of the Air (Hardcover)
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Given the variety and richness of the sixteenth- and
seventeenth-century English 'songscape', it might seem unsurprising
to suggest that early modern song needs to be considered as sung.
When a reader encounters a song in a sonnet sequence, a romance,
and even a masque or a play, however, the tendency is to engage
with it as poem rather than as musical performance. Opening up the
notion of song from a performance-based perspective The Matter of
Song in Early Modern England considers the implications of reading
song not simply as lyric text but as an embodied and gendered
musical practice. Animating the traces of song preserved in
physiological and philosophical commentaries, singing handbooks,
poetic treatises, and literary texts ranging from Mary Sidney
Herbert's Psalmes to John Milton's Comus, the book confronts song's
ephemerality, its lexical and sonic capriciousness, and its airy
substance. These features can resist critical analysis but were
vital to song's affective workings in the early modern period. The
volume foregrounds the need to attend much more closely to the
embodied and musical dimensions of literary production and
circulation in sixteenth- and seventeenth-century England. It also
makes an important and timely contribution to our understanding of
women's engagement with song as writers and as performers. A
companion recording of fourteen songs featuring Larson (soprano)
and Lucas Harris (lute) brings the project's innovative methodology
and central case studies to life.
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