This comprehensive study treats the wind works of Anton Bruckner
as a complete genre and uses them to illustrate how the composer
evolved in style throughout his career. A major nineteenth-century
composer, organist, and church musician, Bruckner's compositional
style changed dramatically in the early 1860s, dividing his career
into two distinct parts. During his early career he immersed
himself in the study of traditional musical principles including
form, harmony, counterpoint, and orchestration. The second phase of
his career, in which he composed the symphonies upon which much of
his current reputation rests, was marked by his experimental
approaches to harmony and tonality. Many of his early compositions
exhibit landmarks of his later style. The wind instrument pieces
incorporate the best aspects of both of Bruckner's styles and
reflect the progress of his professional life.
Organized chronologically, the music is studied and classified
within set time periods. Each wind work of a particular period is
reviewed according to the historical circumstances contributing to
its creation, its specific musical content, and its success as a
musical work in relation to wind music and specifically to
Bruckner's development. The analyses of Bruckner's compositions are
enhanced by musical examples throughout the text.
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