This book provides a comprehensive introduction to the work of
Robert Bresson, one of the most respected and acclaimed directors
in the history of cinema. Bresson's unique use of "models" (he
refuses the term "actors"), his sparse and elliptical editing
style, his rejection of conventional psychological realism make his
work all but unique and instantly recognizable. This is the first
monograph on his work to appear in English for many years, and
deals with his thirteen feature-length films and his short treatise
"Notes on Cinematography."
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