0
Your cart

Your cart is empty

Books > Arts & Architecture > Music > Theory of music & musicology

Buy Now

Shakespeare, Madness, and Music - Scoring Insanity in Cinematic Adaptations (Paperback) Loot Price: R1,355
Discovery Miles 13 550
Shakespeare, Madness, and Music - Scoring Insanity in Cinematic Adaptations (Paperback): Kendra Preston Leonard

Shakespeare, Madness, and Music - Scoring Insanity in Cinematic Adaptations (Paperback)

Kendra Preston Leonard

 (sign in to rate)
Loot Price R1,355 Discovery Miles 13 550 | Repayment Terms: R127 pm x 12*

Bookmark and Share

Expected to ship within 12 - 17 working days

Shakespeare's three political tragedies Hamlet, Macbeth, and King Lear have numerously been presented or adapted on film. These three plays all involve the recurring trope of madness, which, as constructed by Shakespeare, provided a wider canvas on which to detail those materials that could not be otherwise expressed: sexual desire and expectation, political unrest, and, ultimately, truth, as excavated by characters so afflicted. Music has long been associated with madness, and was often used as an audible symptom of a victim's disassociation from their surroundings and societal rules, as well as their loss of self-control. In Shakespeare, Madness, and Music: Scoring Insanity in Cinematic Adaptations, Kendra Preston Leonard examines the use of music in Hamlet, Macbeth, and King Lear. Whether discussing contemporary source materials, such as songs, verses, or rhymes specified by Shakespeare in his plays, or music composed specifically for a film and original to the director's or composer's interpretations, Leonard shows how the changing social and scholarly attitudes towards the plays, their characters, and the conditions that fall under the general catch-all of "madness" have led to a wide range of musical accompaniments, signifiers, and incarnations of the afflictions displayed by Shakespeare's characters. Focusing on the most widely distributed and viewed adaptations of these plays for the cinema, each chapter presents the musical treatment of individual Shakespearean characters afflicted with or feigning madness: Hamlet, Ophelia, Lady Macbeth, King Lear, and Edgar. The book offers analysis and interpretation of the music used to underscore, belie, or otherwise inform or invoke the characters' states of mind, providing a fascinating indication of culture and society, as well as the thoughts and ideas of individual directors, composers, and actors. A bibliography, index, and appendix listing Shakespeare's film adaptations help complete this fascinating volume.

General

Imprint: Scarecrow Press
Country of origin: United States
Release date: July 2009
First published: July 2009
Authors: Kendra Preston Leonard
Dimensions: 230 x 154 x 12mm (L x W x T)
Format: Paperback
Pages: 164
ISBN-13: 978-0-8108-6946-2
Categories: Books > Arts & Architecture > Performing arts > Films, cinema > Film theory & criticism
Books > Arts & Architecture > Music > Theory of music & musicology > General
Books > Music > Theory of music & musicology > General
LSN: 0-8108-6946-2
Barcode: 9780810869462

Is the information for this product incomplete, wrong or inappropriate? Let us know about it.

Does this product have an incorrect or missing image? Send us a new image.

Is this product missing categories? Add more categories.

Review This Product

No reviews yet - be the first to create one!

Partners