The movement of designed objects is not just something purely
functional but also triggers a wide range of sensations. A curtain
swaying gently in the wind can cause the onlooker to feel easy and
relaxed, as if it was he or she who is floating in the air. This
imagined projection caused by the perception of moving objects is
called "kinesthetic empathy". In this study, which followed on from
a dissertation at the School of Design Research in London, the
author investigates the esthetics of movement by documenting his
own design-based learning and research process in terms of
"research through design", using the experimental cooperation with
puppet players as an example. He thereby creates a framework that
allows designers to observe the esthetics of objects in motion as a
trigger of feelings.
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