There is an epigram in this book from the Phil Ochs song,
"Crucifixion," about the Kennedy assassination, that states: I fear
to contemplate that beneath the greatest love, lies a hurricane of
hate. On February 11th 1963, the Beatles recorded "There's a
Place," a dazzling, unheralded tune which was included on their
electrifying debut album, "Please Please Me." This song firmly laid
the foundation on which a huge utopian dream of the sixties would
be built. Within that dream, however, also lay the seeds of a
darker vision that would emerge out of the very counterculture that
the Beatles and their music helped create. Thus, even as their
music attracted adoring fans, it also enticed the murderous
ambitions of Charles Manson; and though the Beatles may have
inspired others to form bands, their own failed hopes ultimately
led to their breakup.
The disillusionment with the sixties, and the hopes associated
with the group, would many years later culminate in the
assassination of John Lennon and the attempted slaying of George
Harrison by deranged and obsessive fans. In this incisive
examination, author Kevin Courrier ("Dangerous Kitchen: the
Subversive World of Zappa, Randy Newman's American Dreams")
examines how the Fab Four, through their astonishing music and
comically rebellious personalities, created the promise of an
inclusive culture built on the principles of pleasure and
fulfillment. By taking us through their richly inventive catalogue,
Courrier illustrates how the Beatles' startling impact on popular
culture built a bond with audiences that was so strong, people
today continue to either cling nostalgically to it, or struggle --
and often struggle violently -- to escape its influence.
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