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Made Flesh - Sacrament and Poetics in Post-Reformation England (Hardcover)
Loot Price: R2,042
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Made Flesh - Sacrament and Poetics in Post-Reformation England (Hardcover)
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During the Reformation, the mystery of the Eucharist was the
subject of contentious debate and a nexus of concerns over how the
material might embody the sublime and how the absent might be made
present. For Kimberly Johnson, the question of how exactly Christ
can be present in bread and wine is fundamentally an issue of
representation, and one that bears directly upon the mechanics of
poetry. In Made Flesh, she explores the sacramental conjunction of
text with materiality and word with flesh through the peculiar
poetic strategies of the seventeenth-century English lyric. Made
Flesh examines the ways in which the works of John Donne, George
Herbert, Richard Crashaw, Edward Taylor, and other devotional poets
explicitly engaged in issues of signification, sacrament, worship,
and the ontological value of the material world. Johnson reads the
turn toward interpretively obstructive and difficult forms in the
seventeenth-century English lyric as a strategy to accomplish what
the Eucharist itself cannot: the transubstantiation of absence into
perceptual presence by emphasizing the material artifact of the
poem. At its core, Johnson demonstrates, the Reformation debate
about the Eucharist was an issue of semiotics, a reimagining of the
relationship between language and materiality. The self-asserting
flourishes of technique that developed in response to
sixteenth-century sacramental controversy have far-reaching
effects, persisting from the post-Reformation period into literary
postmodernity.
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