"The Beat " was the first book to explore the musical, social,
and cultural phenomenon of go-go music. In this new edition,
updated by a substantial chapter on the current scene, authors Kip
Lornell and Charles C. Stephenson, Jr., place go-go within black
popular music made since the middle 1970s--a period during which
hip-hop has predominated. This styling reflects the District's
African American heritage. Its super-charged drumming and vocal
combinations of hip-hop, funk, and soul evolved and still thrive on
the streets of Washington, D.C., and in neighboring Prince George's
County, making it the most geographically compact form of popular
music.
Go-go--the only musical form indigenous to Washington,
D.C.--features a highly syncopated, nonstop beat and vocals that
are spoken as well as sung. The book chronicles its development and
ongoing popularity, focusing on many of its key figures and
institutions, including established acts such as Chuck Brown (the
Godfather of Go-Go), Experience Unlimited, Rare Essence, and
Trouble Funk; well-known DJs, managers, and promoters; and
filmmakers who have incorporated it into their work. Now updated
and back in print, "The Beat " provides longtime fans and those who
study American musical forms a definitive look at the music and its
makers.
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