"The Dignity of Every Human Being" studies the vibrant New
Brunswick artistic community which challenged "the tyranny of the
Group of Seven" with socially-engaged realism in the 1930s and 40s.
Using extensive archival and documentary research, Kirk Niergarth
follows the work of regional artists such as Jack Humphrey and
Miller Brittain, writers such as P.K. Page, and crafts workers such
as Kjeld and Erica Deichmann. The book charts the rise and fall of
"social modernism" in the Maritimes and the style's deep engagement
with the social and economic issues of the Great Depression and the
Popular Front.
Connecting local, national, and international cultural
developments, Niergarth's study documents the attempts of
Depression-era artists to question conventional ideas about the
nature of art, the social function of artists, and the institutions
of Canadian culture. "The Dignity of Every Human Being" records an
important and previously unexplored moment in Canadian cultural
history.
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