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Virtual Hallyu - Korean Cinema of the Global Era (Hardcover, New)
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Virtual Hallyu - Korean Cinema of the Global Era (Hardcover, New)
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"[T]his fine book . . . . enlarges our vision of one of the great
national cinematic flowerings of the last decade."-Martin Scorsese,
from the forewordIn the late 1990s, South Korean film and other
cultural products, broadly known as hallyu (Korean wave), gained
unprecedented international popularity. Korean films earned an
all-time high of $60.3 million in Japan in 2005, and they
outperformed their Hollywood competitors at Korean box offices. In
Virtual Hallyu, Kyung Hyun Kim reflects on the precariousness of
Korean cinema's success over the past decade. Arguing that state
film policies and socioeconomic factors cannot fully explain
cinema's true potentiality, Kim draws on Deleuze's concept of the
virtual-according to which past and present and truth and falsehood
coexist-to analyze the temporal anxieties and cinematic ironies
embedded in screen figures such as a made-in-the-USA aquatic
monster (The Host), a postmodern Chosun-era wizard (Jeon Woo-chi),
a schizo man-child (Oasis), a weepy North Korean terrorist
(Typhoon), a salary man turned vengeful fighting machine (Oldboy),
and a sick nationalist (the repatriated colonial-era film Spring of
Korean Peninsula). Kim maintains that the full significance of
hallyu can only be understood by exposing the implicit and explicit
ideologies of protonationalism and capitalism that, along with
Korea's ambiguous post-democratization and neoliberalism, are
etched against the celluloid surfaces.
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