David Fincher (b. 1962) did not go to film school and hates
being defined as an auteur. He prefers to see himself as a
craftsman, dutifully going about the art and business of making
film. Trouble is, it's hard to be self-effacing when you are the
director responsible for "Se7en, Fight Club," and "The Social
Network." Along with Quentin Tarantino, Fincher is the most
accomplished of the Generation X filmmakers to emerge in the early
1990s.
This collection of interviews highlights Fincher's unwavering
commitment to his craft as he evolved from an entrepreneurial music
video director (Fincher helped Madonna become the undisputed queen
of MTV) into an enterprising feature filmmaker. Fincher landed his
first Hollywood blockbuster at twenty-seven with "Alien3," but that
film, handicapped by cost overruns and corporate mismanagement,
taught Fincher that he needed absolute control over his work. Once
he had it, with "Se7en," he achieved instant box-office success and
critical acclaim, as well as a close partnership with Brad Pitt
that led to the cult favorite "Fight Club."
Fincher became circumspect in the 2000s after "Panic Room,"
shooting ads and biding his time until "Zodiac," when he returned
to his mantra that "entertainment has to come hand in hand with a
little bit of medicine. Some people go to the movies to be reminded
that everything's okay. I don't make those kinds of movies. That,
to me, is a lie. Everything's not okay." Zodiac reinvigorated
Fincher, inspiring a string of films--"The Curious Case of Benjamin
Button, The Social Network," and "The Girl with the Dragon
Tattoo"--that enthralled audiences and garnered his films dozens of
Oscar nominations.
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