Between Still and Moving Images traces the evolving concepts of
movement, duration, and the moment grounded in the fusion of still
and moving images. By examining the relationship between different
forms of visual media, the essays in this collection demonstrate
the impact of such visual fusion on artistic production across
mediums. Of the multiple unexpected consequences in the shift to
digital technologies, the sudden convergence of still and moving
images is apparent in every domain, whether amateur or
professional. The union of these visual states is primarily
technical: the same machine may produce one and the other, a
computer screen can display either one, and a single key is able to
control the progression of images across the screen. It is as if
still images have become a mere subcategory of animation, a
transitional state wherein the transformation of the image is a
click away.
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