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Music, Postcolonialism, and Gender - The Construction of Irish National Identity, 1724-1874 (Paperback, Annotated edition)
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Music, Postcolonialism, and Gender - The Construction of Irish National Identity, 1724-1874 (Paperback, Annotated edition)
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In Music, Postcolonialism, and Gender, Leith Davis studies the
construction of Irish national identity from the early eighteenth
until the mid-nineteenth centuries, focusing in particular on how
texts concerning Irish music, as well as the social settings within
which those texts emerged, contributed to the imagining of Ireland
as "the Land of Song." Through her considerations of Irish music
collections by the Neals, Edward Bunting, and George Petrie;
antiquarian tracts and translations by Joseph Cooper Walker,
Charlotte Brooke, and James Hardiman; and lyrics and literary works
by Sidney Owenson, Thomas Moore, Samuel Lover, and Dion Boucicault,
Davis suggests that music served as an ideal means through which to
address the ambiguous and ever-changing terms of the colonial
relationship between Ireland and England. Davis also explores the
gender issues so closely related to the discourses on both music
and national identity during the time, and the influence of print
culture and consumer capitalism on the representation of Irish
music at home and abroad. She argues that the emergence of a mass
market for culture reconfigured the gendered ambiguities already
inherent in the discourses on Irish music and identity. Davis's
book will appeal to scholars within Irish studies, postcolonial
studies, gender studies, print culture, new British history,
eighteenth- and nineteenth-century studies, and ethnomusicology.
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