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Picturing the Banjo (Paperback, New)
Loot Price: R1,354
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Picturing the Banjo (Paperback, New)
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The history of the banjo is as haunting as its music. Made popular
in minstrel shows of the nineteenth century, the “banjar”
derives from the stringed gourd instrument African slaves brought
with them to plantations in the Caribbean and American South. From
minstrelsy to the folk music revival of the twentieth century, the
banjo has continued to attract audiences and acquire meaning.
Picturing the Banjo gives this long history an entirely new
dimension by tracing the instrument’s representation in American
visual culture from the eighteenth century to the present.
Published in conjunction with an exhibition of the same name,
Picturing the Banjo offers the first examination of the
instrument’s portrayal in images that range from anonymous
photographs of performers to paintings by Thomas Eakins and prints
by Dox Thrash. Leo G. Mazow, contributing editor of the volume, and
his collaborators demonstrate that the banjo became an American
icon that links popular music to fundamental issues of race, class,
and gender. Simple and appealing as the instrument may seem in
Henry Ossawa Tanner’s The Banjo Lesson or Eastman Johnson’s Old
Kentucky Home, it carries powerful associations with social
conflict and change. Through its many color and black-and-white
illustrations, this book allows readers to experience the works of
visual art and period instruments brought together in the
pioneering exhibition organized by the Palmer Museum of Art of The
Pennsylvania State University. Picturing the Banjo will be of
interest to banjo lovers, scholars in American studies, and all
those concerned with the musical and artistic heritage of slavery.
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