Michelangelo is best known for great artistic achievements such
as the Sistine ceiling, the "David," the "Pieta," and the dome of
St. Peter's. Yet throughout his seventy-five year career, he was
engaged in another artistic act that until now has been largely
overlooked: he not only filled hundreds of sheets of paper with
exquisite drawings, sketches, and doodles, but also, on fully a
third of these sheets, composed his own words. Here we can read the
artist's marginal notes to his most enduring masterpieces; workaday
memos to assistants and pupils; poetry and letters; and achingly
personal expressions of ambition and despair surely meant for
nobody's eyes but his own. "Michelangelo: A Life on Paper" is the
first book to examine this intriguing interplay of words and
images, providing insight into his life and work as never
before.
This sumptuous volume brings together more than two hundred
stunning, museum-quality reproductions of Michelangelo's most
private papers, many in color. Accompanying them is Leonard
Barkan's vivid narrative, which explains the important role the
written word played in the artist's monumental public output. What
emerges is a wealth of startling juxtapositions: perfectly
inscribed sonnets and tantalizing fragments, such as "Have
patience, love me, sufficient consolation"; careful notations
listing money spent for chickens, oxen, and funeral rites for the
artist's father; a beautiful drawing of a Madonna and child next to
a mock love poem that begins, "You have a face sweeter than boiled
grape juice, and a snail seems to have passed over it."
Magnificently illustrated and superbly detailed, this book provides
a rare and intimate look at how Michelangelo's artistic genius
expressed itself in words as well as pictures."
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