Few films in the history of American cinema caused more intense
critical discussion and greater emotional debate than Arthur Penn's
Bonnie and Clyde. This provocative portrayal of Depression-era life
on the run, delivered with visual panache and a hip sensibility,
ushered in what came to be categorized as 'the New American
Cinema'. Focusing on a story set in the 1930s, yet clearly
fashioned to resonate with the countercultural tenor of the 1960s,
the film remains compelling for today's viewers by virtue of its
central love story and inevitable tragedy, its subversive statement
as well as its sympathetic connection to the communal impulse. This
volume includes commissioned essays by leading scholars of Arthur
Penn's work, as well as contributions from Penn himself and
scriptwriter David Newman. They analyze the cultural history,
technical brilliance, visual strategies, and violent imagery that
marked Bonnie and Clyde as a significant turning point in American
film.
General
Imprint: |
Cambridge UniversityPress
|
Country of origin: |
United Kingdom |
Series: |
Cambridge Film Handbooks |
Release date: |
December 1999 |
First published: |
2000 |
Editors: |
Lester D. Friedman
|
Dimensions: |
229 x 152 x 13mm (L x W x T) |
Format: |
Paperback - Trade
|
Pages: |
230 |
ISBN-13: |
978-0-521-59697-8 |
Categories: |
Books >
Arts & Architecture >
Performing arts >
Films, cinema >
General
|
LSN: |
0-521-59697-1 |
Barcode: |
9780521596978 |
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