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Writing Gender in Early Modern Chinese Women's Tanci Fiction (Paperback)
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Writing Gender in Early Modern Chinese Women's Tanci Fiction (Paperback)
Series: Comparative Cultural Studies
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Women's tanci, or ""plucking rhymes,"" are chantefable narratives
written by upper-class educated women from seventeenth-century to
early twentieth-century China. Writing Gender in Early Modern
Chinese Women's Tanci Fiction offers a timely study on early modern
Chinese women's representations of gender, nation, and political
activism in their tanci works before and after the Taiping
Rebellion (1850 to 1864), as well as their depictions of warfare
and social unrest. Women tanci authors' redefinition of female
exemplarity within the Confucian orthodox discourses of virtue,
talent, chastity, and political integrity could be bourgeoning
expressions of female exceptionalism and could have foreshadowed
protofeminist ideals of heroism. They establish a realistic tenor
in affirming feminine domestic authority, and open up spaces for
discussions of ""womanly becoming,"" female exceptionalism, and
shifting family power structures. The vernacular mode underlying
these texts yields productive possibilities of gendered
self-representations, bodily valences, and dynamic performances of
sexual roles. The result is a vernacular discursive frame that
enables women's appropriation and refashioning of orthodox moral
values as means of self-affirmation and self-realization.
Validations of women's political activism and loyalism to the
nation attest to tanci as a premium vehicle for disseminating
progressive social incentives to popular audiences. Women's tanci
marks early modern writers' endeavors to carve out a space of
feminine becoming, a discursive arena of feminine appropriation,
reinvention, and boundary-crossings. In this light, women's tanci
portrays gendered mobility through depictions of a heroine's
voyages or social ascent, and entails a forward-moving historical
progression toward a more autonomous and vested model of feminine
subjectivity.
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