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In the Making - Creative Options in Contemporary Art (Paperback, New)
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In the Making - Creative Options in Contemporary Art (Paperback, New)
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From the first page to the last, from Thomas Kinkaid (really ) to
Matthew Barney, this book serves as a launching pad. Conclusions
are perpetually delayed. Resolutions are continually postponed. The
text is written for takeoff, not arrival. It is a first step for
readers' explorations of current modes of art making and for their
own future artistic achievements. The much-anticipated follow-up to
"Art on the Edge... and Over," Linda Weintraub's highly accessible
introduction to contemporary art since the 1970s, "In the Making:
Creative Options for Contemporary Art" explores essential but
sometimes elusive facets of art making today. In her trademark
writing style--straightforward and jargon-free--Weintraub sets out
to itemize the conceptual and practical concerns that go into
making contemporary art in all its endless permutations. In six
clearly defined thematic sections--"Scoping an Audience," "Sourcing
Inspiration," "Crafting an Artistic 'Self'," "Expressing an
Artistic Attitude," "Choosing a Mission," and "Measuring
Success"--Weintraub moves artist by artist, in 40 individual
chapters, using each to explain a different aspect of art making.
Isaac Julien makes work for a highly specific audience; Michal
Rovner communicates through metaphor and symbol; Charles Ray
disrupts the viewer's assumptions; Pipilotti Rist is inspired by
female emotions; William Kentridge is moved by apartheid and
redemption; Vanessa Beecroft epitomizes the biography of a smart,
attractive, Caucasian woman; and Matthew Barney achieves success
through resistance. Through a compelling combination of renowned
and up-and-coming artists, Weintraub creates a complex
understanding of how to make and look at contemporary art--but in a
simple, easily digestible format and language.
In addition to being a fine read for anyone who simply wants to
understand how to look at contemporary art, "In the Making" is also
an exceptional pedagogical tool, one that addresses what is fast
becoming a huge gap in art education. Teaching artistic techniques
no longer provides young artists with a sufficient education--a
full range of conceptual issues needs to be considered in any
well-rounded studio practice. Yet these very same conceptual issues
are often those that are dealt with textually in art history and
criticism classes. Weintraub persuasively offers a series of texts
that fit squarely into this gap, addressing issues that concern
anyone who is learning how to make art or how to understand
it.
In addition, "In the Making" includes a series of interviews in
which many of the artists discuss the practical issues of their
life's work. Conducted by Weintraub's students at Oberlin College,
the interviews pose questions about the artists' schooling, their
studio space, and how they support themselves if their main income
doesn't come from their art--the kind of questions every art
student has always wanted to ask the artists whose work they see on
gallery walls.
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