Digital technology has transformed the way that we visualise the
natural world, the art we create and the stories we tell about our
environments. Exploring contemporary digital art and literature
through an ecocritical lens, Digital Vision and the Ecological
Aesthetic (1968 - 2018) demonstrates the many ways in which
critical ideas of the sublime, the pastoral and the picturesque
have been renewed and shaped in digital media, from electronic
literature to music and the visual arts. The book goes on to
explore the ecological implications of these new forms of cultural
representation in the digital age and in so doing makes a profound
contribution to our understanding of digital art practice in the
21st century.
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