Shakespeare and Textual Studies gathers contributions from the
leading specialists in the fields of manuscript and textual
studies, book history, editing, and digital humanities to provide a
comprehensive reassessment of how manuscript, print and digital
practices have shaped the body of works that we now call
'Shakespeare'. This cutting-edge collection identifies the legacies
of previous theories and places special emphasis on the most recent
developments in the editing of Shakespeare since the 'turn to
materialism' in the late twentieth century. Providing a
wide-ranging overview of current approaches and debates, the book
explores Shakespeare's poems and plays in light of new evidence,
engaging scholars, editors, and book historians in conversations
about the recovery of early composition and publication, and the
ongoing appropriation and transmission of Shakespeare's works
through new technologies.
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