Books > Language & Literature > Literature: history & criticism > Plays & playwrights > 16th to 18th centuries > Shakespeare studies & criticism
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Shakespeare and the Problem of Adaptation (Paperback, New Ed)
Loot Price: R1,158
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Shakespeare and the Problem of Adaptation (Paperback, New Ed)
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'Kidnie's study presents original, sophisticated, and profoundly
intelligent answers to important questions.' - Lukas Erne,
University of Geneva 'This is a fine and productive book, one that
will surely draw significant attention and commentary well beyond
the precincts of Shakespeare studies.' - W.B. Worthen, Columbia
University Shakespeare's plays continue to be circulated on a
massive scale in a variety of guises - as editions, performances,
and adaptations - and it is by means of such mediation that we come
to know his drama. Shakespeare and the Problem of Adaptation
addresses fundamental questions about this process of mediation,
making use of the fraught category of adaptation to explore how we
currently understand the Shakespearean work. To adapt implies there
exists something to alter, but what constitutes the category of the
'play', and how does it relate to adaptation? How do 'play' and
'adaptation' relate to drama's twin media, text and performance?
What impact might answers to these questions have on current
editorial, performance, and adaptation studies? Margaret Jane
Kidnie argues that 'play' and 'adaptation' are provisional
categories - mutually dependent processes that evolve over time in
accordance with the needs of users. This theoretical argument about
the identity of works and the nature of text and performance is
pursued in relation to diverse examples, including theatrical
productions by the Royal Shakespeare Company, the BBC's
ShakespeaRe-Told, the Reduced Shakespeare Company, and recent print
editions of the complete works. These new readings build up a
persuasive picture of the cultural and intellectual processes that
determine how the authentically Shakespearean is distinguished from
the fraudulent and adaptive. Adaptation thus emerges as the
conceptually necessary but culturally problematic category that
results from partial or occasional failures to recognize a shifting
work in its textual-theatrical instance.
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