Arguing that all Pauline interpretation depends significantly on
the ways in which readers formulate their own images of the
apostle, Margaret M. Mitchell posits that John Chrysostom, the most
prolific interpreter of the Pauline epistles in the early church,
exemplifies this phenomenon. Mitchell brings together Chrysostom's
copious portraits of Paul--of his body, his soul, and his life
circumstances--and for the first time analyzes them as complex
rhetorical compositions built on well-known conventions of
Greco-Roman rhetoric. Two appendices offer a fresh translation of
Chrysostom's seven homilies "de laudibus sancti Pauli" and a
catalogue of color plates of artistic representations that
graphically represent the author/exegete dynamic this study
explores.
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