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Johann Mattheson's Pieces de clavecin and Das neu-eroeffnete Orchestre - Mattheson's Universal Style in Theory and Practice (Hardcover, New Ed)
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Johann Mattheson's Pieces de clavecin and Das neu-eroeffnete Orchestre - Mattheson's Universal Style in Theory and Practice (Hardcover, New Ed)
Series: Royal Musical Association Monographs
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A prolific music theorist and critic as well as an established
composer, Johannes Mattheson remains surprisingly understudied. In
this important study, Margaret Seares places Mattheson's Pieces de
clavecin (1714) in the context of his work as a public intellectual
who encouraged German musicians and their musical public to eschew
what he saw as the hidebound traditions of the past, and instead
embrace a universalism of style and expression derived from
contemporary currents in music of the leading European nations.
Beginning with the early non-musical writings by Mattheson, Seares
places them in the context of the cosmopolitan city-state of
Hamburg, before moving to a detailed study of his first major
musical treatise Das neu-erAffnete Orchestre of 1713, in which he
espoused his views about the musics of the past and present and, in
particular, the characteristics of the musics of Germany, Italy,
France and England. This latter section of the treatise, Part III,
is edited and translated into English in the book's appendix - the
first such translation available. Seares then moves on to an
evaluation of the Pieces de clavecin as a work in which Mattheson
reflects in musical terms the themes of modernism (in the sense of
A la mode) and universalism that are such a strong part of his
writings of the period, and a work that represents an important
precursor for the keyboard suites of Johann Sebastian Bach and
Georg Frideric Handel.
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