"Winner of the Southeast Chapter of the American Society of
Architectural Historians' Annual Book Award Kentucky emerged as a
prime site for theatrical activity in the early nineteenth century.
Most towns, even quite small ones, constructed increasingly
elaborate opera houses, which stood as objects of local pride and
symbols of culture. These theaters often hosted amateur
performances, providing a forum for talent and a focus for
community social life. As theatrical attendance rose, performance
halls began offering everything from drama to equestrian shows to
burlesque. Today many architects believe that the design of a
theater should not detract from the stage or screen. Marilyn Casto
shows that nineteenth-century Kentucky audiences, however, not only
expected elaborate decor but considered it a delightful part of the
theatergoing experience. Embellished arches and painted and gilded
walls and ceilings enhanced the theatricality of the performance
while adding to the excitement of an evening out. In Actors,
Audiences, and Historic Theaters of Kentucky, Casto investigates
the social and architectural history of Kentucky theaters, paying
special attention to the actors who performed in them and the
audiences who saw it all. A captivating glimpse into a disappearing
slice of American popular culture, her work examines what people
considered entertaining, what they hoped to gain from theatergoing,
and how they chose and experienced the theaters' architectural
settings. In the social and physical design of these theaters,
Casto explores nearly two centuries of the state's and nation's
cultural history.
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