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Treacherous Bonds and Laughing Fire: Politics and Religion in Wagner's Ring (Paperback)
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Treacherous Bonds and Laughing Fire: Politics and Religion in Wagner's Ring (Paperback)
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Mark Berry explores the political and religious ideas expounded in
Wagner's Ring through close attention to the text and drama, the
multifarious intellectual influences upon the composer during the
work's lengthy gestation and composition, and the wealth of Wagner
source material. Many of his writings are explicitly political in
their concerns, for Wagner was emphatically not a revolutionary
solely for the sake of art. Yet it would be misleading to see even
the most 'political' tracts as somehow divorced from the aesthetic
realm; Wagner's radical challenge to liberal-democratic politics
makes no such distinction. This book considers Wagner's treatment
of various worlds: nature, politics, economics, and metaphysics, in
order to explain just how radical that challenge is. Classical
interpretations have tended to opt either for an 'optimistic' view
of the Ring, centred upon the influence of Young Hegelian thought -
in particular the philosophy of Ludwig Feuerbach - and Wagner's
concomitant revolutionary politics, or for the 'pessimistic'
option, removing the disillusioned Wagner-in-Swiss-exile from the
political sphere and stressing the undoubtedly important role of
Arthur Schopenhauer. Such an 'either-or' approach seriously
misrepresents not only Wagner's compositional method but also his
intellectual method. It also sidelines inconvenient aspects of the
dramas that fail to 'fit' whichever interpretation is selected.
Wagner's tendency is not progressively to recant previous 'errors'
in his oeuvre. Radical ideas are not completely replaced by a
Schopenhauerian world-view, however loudly the composer might come
to trumpet his apparent 'conversion'. Nor is Wagner's truly an
Hegelian method, although Hegelian dialectic plays an important
role. In fact, Wagner is in many ways not really a systematic
thinker at all (which is not to portray him as self-consciously
unsystematic in a Nietzschean, let alone 'post-modernist' fashion).
His tendency, rather, is agglomerative,
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