This interdisciplinary collection explores how cinema calls into
question its own frame of reference and, at the same time, how its
form becomes the matter of its thought. Building on the axiom
(cherished by philosophers of cinema from Epstein to Deleuze) that
cinema is a medium that thinks in conjunction with its spectators,
this book examines how various forms of the cinematic rethink and
redraw the terrain of traditional disciplines, thereby enabling
different modes of thought and practice. Areas under consideration
by a range of leading academics and practitioners include
architecture, science, writing in a visual field, event-theory and
historiography.
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