In the engaging Chesterton and Evil, Mark Knight offers a
compelling analysis of the increasingly marginalized, but
undoubtedly influential Gilbert Keith Chesterton and his late 19th
and early 20th century fiction. In his Autobiography Chesterton
observed: "Perhaps, when I eventually emerged as a sort of
theorist, and was described as an Optimist, it was because I was
one of the few people in that world of diabolism who really
believed in devils." Arguing that a serious analysis of the nature
of evil is at the center of his fiction, Chesterton and Evil offers
an exciting, new interdisciplinary reading of Chesterton's work,
and provides a means of locating it among important theological and
cultural concerns of his age.
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