This new reading of Paradise Lost concentrates on the analysis of
linguistic concepts underlying Milton's epic, and then builds on
those concepts with a fresh interpretation that considers the role
that Raphael plays in it. Relying on a narrative model that was
already well-known in the seventeenth century and was baptized
godgame by the twentieth century British novelist John Fowles, it
reinterprets the role of the archangel as that of a tool in the
great plan of Milton's Father's 'ironic' teaching. This book
complements a basically linguistic approach to Milton's poetry and
prose with concepts such as that of retraction adopted from
'heretical' Milton critics as Saurat, Hill, and Empson.
General
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