Spanish filmmaker Carlos Saura, who began his career under the
censorship of Franco's regime, has forged an international
reputation for his unique cinematic treatment of emotional and
spiritual responses to repressive political conditions. In films
such as Carmen and El Dorado, where reality and fantasy are
deliberately fused together, Saura reveals the illusions of
Franco's mythologized Spain--a chaste, Catholic, and heroic Spain
of the Golden Age--that tend to isolate Spaniards from the rest of
Europe, from each other, and from their own individuality. In this
first English-language book on Saura, Marvin D'Lugo looks at the
social and artistic forces behind this film auteur's highly
personal cinema. Tracing Saura's career over three decades, D'Lugo
discusses each work from Hooligans (1959), a realist film about a
Madrid street-gang member trying to become a bullfighter, to The
Dark Night (1989), a film dealing with the persecution of the
religious reformer St. John of the Cross in the late sixteenth
century. Throughout he argues that Saura's cinematic style results
from a highly original response to the political and historical
constraints of Spanish culture. D'Lugo shows how in order to
explore the complex cultural politics of "Spanishness" as it was
institutionalized under Franco, Saura frames his narrations through
the eyes of characters who question the forces that shape personal
and collective identity. Moving beyond the limits of traditional
auteur studies, this book addresses the relationship between the
filmmaker and the cultural ideology that historically has thwarted
and manipulated the expressions of individuality in Spanish
society.
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