Mabel Daniels (1877-1971): An American Composer in Transition
assesses Daniels within the context of American music of the first
half of the twentieth century. Daniels wrote fresh sounding works
that were performed by renowned orchestras and ensembles during her
lifetime but her works have only recently begun to be performed
again. The book explains why works by Daniels and other women
composers fell out of favor and argues for their performance today.
This study of Daniels's life and works evinces transition in
women's roles in composition, the professionalization of women
composers, and the role that Daniels played in the
institutionalization of American art music. Daniels's dual role as
a patron-composer is unique and expressive of her transitional
status.
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