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Disorders at the Borders - In Search of the Gesamtkunstwerk in the Paintings of Anselm Kiefer (Hardcover, New edition)
Loot Price: R1,883
Discovery Miles 18 830
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Disorders at the Borders - In Search of the Gesamtkunstwerk in the Paintings of Anselm Kiefer (Hardcover, New edition)
Series: German Visual Culture, 9
Expected to ship within 12 - 17 working days
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Although Anselm Kiefer's work is routinely compared with the
Gesamtkunstwerk, the "total work of art" pioneered by Richard
Wagner, Disorders at the Borders represents the first time this
relationship has been thoroughly investigated. But it is a
relationship that involves much more than just aesthetics.
Furthermore, it is a highly ambivalent one. The Gesamtkunstwerk was
an embodiment of a certain view of nationhood, and nationhood is a
concept that Kiefer has spent much of his career rendering
thoroughly problematic. But Wagner's innovative, inclusive art form
was intended above all as a counter to the individualism that the
composer was far from alone in identifying as the besetting sin of
modernity, and that was widely thought at the time to be most
evident in America. It can thus be contextualized within the long
German tradition of counter-Americanism - as, to a large extent,
can Kiefer. For whilst he owes his spectacular success in no small
degree to the positive reception of his work in America, he has
throughout his career displayed a resistance to the artistic
influence of that country. Moreover, he and Wagner take a mutual
stance regarding a series of questions: can art be separated from
society, or the individual arts from each other? Is painting purely
visual, and music purely sonic? Do things, in short, ever really
exist or operate in isolation? That they answer in the negative to
all of these is what, ultimately, connects Kiefer with Wagner.
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