Studies the Bharata Natyam dance genre "padam" and focuses on its
patrons and composers and its formal structure, texts, and music
Examines the "rewriting" of South Indian dance and the decades-long
debates over the classicization and ownership of South Indian music
The text includes 30 Tamil language songs, minutely translated and
annotated together with a documentation of their performance
history in the 20th century
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