Books > Language & Literature > Literature: history & criticism > Plays & playwrights > 16th to 18th centuries > Shakespeare studies & criticism
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Shakespeare, Theatre, and Time (Hardcover)
Loot Price: R4,711
Discovery Miles 47 110
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Shakespeare, Theatre, and Time (Hardcover)
Series: Routledge Advances in Theatre & Performance Studies
Expected to ship within 12 - 19 working days
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That Shakespeare thematized time thoroughly, almost obsessively, in
his plays is well established: time is, among other things, a
'devourer' (Love's Labour's Lost), one who can untie knots (Twelfth
Night), or, perhaps most famously, simply 'out of joint' (Hamlet).
Yet most critical commentary on time and Shakespeare tends to
incorporate little focus on time as an essential - if elusive -
element of stage praxis. This book aims to fill that gap; Wagner's
focus is specifically performative, asking after time as a stage
phenomenon rather than a literary theme or poetic metaphor. His
primary approach is phenomenological, as the book aims to describe
how time operates on Shakespearean stages. Through philosophical,
historiographical, dramaturgical, and performative perspectives,
Wagner examines the ways in which theatrical activity generates a
manifest presence of time, and he demonstrates Shakespeare's acute
awareness and manipulation of this phenomenon. Underpinning these
investigations is the argument that theatrical time, and especially
Shakespearean time, is rooted in temporal conflict and 'thickness'
(the heightened sense of the present moment bearing the weight of
both the past and the future). Throughout the book, Wagner traces
the ways in which time transcends thematic and metaphorical
functions, and forms an essential part of Shakespearean stage
praxis.
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