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Books > Arts & Architecture > Performing arts > Films, cinema > Film theory & criticism
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Smartphone Filmmaking - Theory and Practice (Hardcover)
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Smartphone Filmmaking - Theory and Practice (Hardcover)
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Mobile, smartphone and pocket filmmaking is a global phenomenon
with distinctive festivals, filmmakers and creatives that are
defining an original film form. Smartphone Filmmaking: Theory and
Practice explores diverse approaches towards smartphone filmmaking
and interviews an overview of the international smartphone
filmmaking community. Interviews with smartphone filmmakers,
entrepreneurs, creative technologists, storytellers, educators and
smartphone film festival directors provide a source of inspiration
and insights for professionals, emerging filmmakers and rookies who
would like to join this creative community. While not every story
might be appropriate to be realized with a mobile device or
smartphone, if working with communities, capturing locations or
working in the domain of personal or first-person filmmaking, the
smartphone or mobile device should be considered as the camera of
choice. The mobile specificity is expressed through accessibility,
mobility and its intimate and immediate qualities. These smartphone
filmmaking-specific characteristics and personal forms of crafting
experiences contribute to a formation of new storytelling
approaches. Stylistic developments of vertical video and
collaborative processes in smartphone filmmaking are evolving into
hybrid formats that resonate in other film forms. This book not
only develops a framework for the analysis of smartphone filmmaking
but also reviews contemporary scholarship and directions within the
creative arts and the creative industries. Smartphone Filmmaking:
Theory and Practice initiates a conversation on current trends and
discusses its impact on adjacent disciplines and recent
developments in emerging media and screen production, such as
Mobile XR (extended reality).
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