Although new historical scholarship on trauma has expressed great
interest in exploring the role of metaphor and modernist figurative
language in writing about trauma, there has so far been relatively
little systematic scrutiny of the links between modernist
aesthetics and the shocking and unresolved nature of traumatic
history. This book, therefore, seeks to remark on a modernist
vision of history as trauma shared by both Freud and modernist
writers. Bringing a historical vision to modernism and reading
modernist literature as a literature of trauma, this book aims to
show that the mad and schizophrenic nature of modernist narrative
has both aesthetic and historical justification. Such a reading
helps add a historical dimension to modernist stylistic devices in
which modernist writers employ a peculiar form of non-linearity and
a circular textual referentiality to represent history through the
symptomology of trauma. This book will be particularly useful to
professionals in modern literature and trauma studies, or anyone
else who is interested in reading literature against/with history.
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